History of Modern Art: Painting, Sculpture, Architecture, Photography1. The Sources of Modern Painting2. Realism, Impressionism, and Early Photography3. Post-Impressionism4. The Origins of Modern Architecture and Design5. Art Nouveau and the Beginnings of Expressionism6. The Origins of Modern Sculpture7. Fauvism8. Expressionism in Germany9. The Figurative Tradition in Early Twentieth-Century Sculpture10. Cubism11. Futurism, Abstraction in Russia, and de Stijl12. Early Twentieth-Century Architecture13. From Fantasy to Dada and the New Objectivity14. The School of Paris After World War I15. Surrealism16. Modern Architecture Between the Wars17. International Abstraction Between the Wars18. American Art Before World War II19. Abstract Expressionism and the New American Sculpture20. Postwar European Art21. Pop Art and Europe?s New Realism22. Sixties Abstraction23. The Second Wave of International Style Architecture24. The Pluralistic Seventies25. Postmodernism in Architecture26. The Retrospective Eighties27. Resistance and Resolution. |
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Page xii
... space . There are no limits to artists ' capacity to explore space or to take a willing and well - informed audience with them . Arnason's reflections on space in art illustrate his critical method , and are worth quoting at some length ...
... space . There are no limits to artists ' capacity to explore space or to take a willing and well - informed audience with them . Arnason's reflections on space in art illustrate his critical method , and are worth quoting at some length ...
Page 170
... space . By employing this curious detail of trompe l'oeil , Braque calls attention to the ways in which his new system departs from conventional means of depicting volumetric shapes on a flat surface . In so doing , he declares Cubism's ...
... space . By employing this curious detail of trompe l'oeil , Braque calls attention to the ways in which his new system departs from conventional means of depicting volumetric shapes on a flat surface . In so doing , he declares Cubism's ...
Page 180
... space . He believed that sculptural form did not necessarily begin where mass encounters space , but " where space is encircled by material . " Here the figure is a cluster of open spaces shaped by concave and convex solids . Although ...
... space . He believed that sculptural form did not necessarily begin where mass encounters space , but " where space is encircled by material . " Here the figure is a cluster of open spaces shaped by concave and convex solids . Although ...
Contents
Academic Art and the Salon | 13 |
PostImpressionism | 46 |
Gauguin | 60 |
Copyright | |
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History of Modern Art: Painting, Sculpture, Architecture, Photography H. Harvard Arnason No preview available - 2004 |
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2003 The Museum abstract art Abstract Expressionism Abstract Expressionist ADAGP aesthetic American Art architect architecture Art Nouveau artists avant-garde Bauhaus began Braque bronze building Cézanne chapter collage color composition concept construction contemporary created Cubist culture DACS Dada decorative developed Digital image drawing Duchamp early exhibition experience expression Expressionism Fauvism figure Florence forms Frank Lloyd Wright Gallery Gauguin geometric German glass Guggenheim Museum Henri Matisse imagery International Style Kandinsky Kooning landscape Le Corbusier London Matisse Modern Art Modern Art/Scala modernist Mondrian monumental movement Museum of Art Museum of Modern nature Neo-Impressionism nude NY/DACS objects Oil on canvas Pablo Picasso painters painting Paris and DACS photographs Picasso pictorial Pop art portrait Private collection Robert Salon scene sculpture shapes sixties space Stijl structure studied surface Surrealism Surrealist theme tion tradition twentieth century Untitled viewer visual wall York