Design and EmotionDeana McDonagh, Paul Hekkert, Jeroen van Erp, Diane Gyi There is considerable interest in and growing recognition of the emotional domain in product development. The relationship between the user and the product is paramount in industry, which has led to major research investments in this area. Traditional ergonomic approaches to design have concentrated on the user's physical and cognitive abil |
Contents
EXPERIENCE DRIVEN DESIGN | 27 |
GENERATIVE TOOLS | 83 |
EVALUATIVE TOOLS | 130 |
EMOTIVE EFFECTS OF VISUAL PROPERTIES | 169 |
EMOTIVE EFFECTS OF THE OTHER SENSES | 252 |
FROM DESIGN TO EMOTION | 285 |
AFFECTIVE USABILITY | 327 |
ATTACHMENT | 364 |
PRODUCT CHARACTER | 398 |
THEORETICAL AND ETHICAL ISSUES | 425 |
EMOTION IN DESIGN | 475 |
DESIGN AND EMOTION WORKSHOPS | 503 |
Author Index | 514 |
| 518 | |
Other editions - View all
Common terms and phrases
activities aesthetic analysis appear application approach asked aspects associated attachment become brand character characteristics colour comfort communication complex concept considered consumer context create cultural described design process discussion effect elements emotional environment evaluation example existing experience explore express factors feelings Figure function future give graphic human ideas identified important individual industrial interaction INTRODUCTION involved light lives look material meaning method mobile mood nature objects packaging participants perceived perception physical play pleasure positive possible practice present Press questions REFERENCES reflection relationship represent requirements responses role scale sense sensory shape social space stimulation subjects suggests task theory things tool understanding University usability values visual