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Contents
Race in Shakespeares Works | 1 |
The Merchant of Venice | 104 |
Othello | 233 |
Copyright | |
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Aaron African Antonio appears argues associated attempt audience authority Bassanio becomes body Caliban calls Cassio century character child Christian claim colonial color common course critics cultural dark daughter Desdemona desire difference discourse discussion Drama early modern economic edition Elizabethan England English essay European fact fair father figure gender give hand human Iago identity imagination Indian Jessica Jewish John lago language Launcelot less living London male marriage means Merchant of Venice Moor nature notes Othello play play's political Portia possession possible present prodigal question race racial reading reference relation Renaissance represents role Roman says scene seems sense sexual Shakespeare Shylock social society stage story Studies suggests symbolic Tempest thing tion tradition turn University Press Venetian woman women York