Blackwood's Magazine, Volume 46W. Blackwood, 1839 - England |
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Page 5
of the eighteenth century were com . more of the rationalizing spirit of the posed ; and of their principles of come first half of the eighteenth century , position , so much more in harmony which it illustrates , than of the nines with ...
of the eighteenth century were com . more of the rationalizing spirit of the posed ; and of their principles of come first half of the eighteenth century , position , so much more in harmony which it illustrates , than of the nines with ...
Page 6
... to many neille and Racine had fixed certain of the compositions of Bossuet on principles in dramatic composition ... a love as the moving principle of the school analogous to that of Tillotson drama , even amidst circumstances and ...
... to many neille and Racine had fixed certain of the compositions of Bossuet on principles in dramatic composition ... a love as the moving principle of the school analogous to that of Tillotson drama , even amidst circumstances and ...
Page 7
“ Unfortu principle , besides an attack on the nately , ” as Villemain dryly observes , unities , was this , that the drama gained - he is not always quite so infernal as nothing by being written in verse ; he seems to think .
“ Unfortu principle , besides an attack on the nately , ” as Villemain dryly observes , unities , was this , that the drama gained - he is not always quite so infernal as nothing by being written in verse ; he seems to think .
Page 8
... of amalgamating two dramatic systems , tached to rules , should reconcile itself the principles of which are not only to the idea of witnessing the history of unharmonious , but in many respects Coriolanus divided into severalacts .
... of amalgamating two dramatic systems , tached to rules , should reconcile itself the principles of which are not only to the idea of witnessing the history of unharmonious , but in many respects Coriolanus divided into severalacts .
Page 9
Setting out with the principle that poetical_still further excited by the good poetry was only good prose , with romantic and occasionally extravagant the addition of measure and rhyme , he tone of the Spanish drama , which was ...
Setting out with the principle that poetical_still further excited by the good poetry was only good prose , with romantic and occasionally extravagant the addition of measure and rhyme , he tone of the Spanish drama , which was ...
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Contents
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