The English Novel: A Short Critical History |
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Page 72
... E. M. Forster's word and call it a fantasy , which at least indicates that Sterne was not out to produce the simulacrum of reality both Fielding and Richardson in their different ways were after . Yet Sterne creates a world , and it is ...
... E. M. Forster's word and call it a fantasy , which at least indicates that Sterne was not out to produce the simulacrum of reality both Fielding and Richardson in their different ways were after . Yet Sterne creates a world , and it is ...
Page 188
... E. M. Forster has said in Aspects of the Novel , ' is filled with sound - storm and rushing wind . ' The storm and rushing wind are conveyed by no set pieces but are in the words themselves of the novel , in its imagery of bent thorn ...
... E. M. Forster has said in Aspects of the Novel , ' is filled with sound - storm and rushing wind . ' The storm and rushing wind are conveyed by no set pieces but are in the words themselves of the novel , in its imagery of bent thorn ...
Page 319
... E. M. Forster's most recent novel , A Passage to India , was pub- › lished in 1924 ; his other four novels appeared between 1905 and 1910 . As a novelist he is often delightful and always baffling and ambiguous ; and he has always stood ...
... E. M. Forster's most recent novel , A Passage to India , was pub- › lished in 1924 ; his other four novels appeared between 1905 and 1910 . As a novelist he is often delightful and always baffling and ambiguous ; and he has always stood ...
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achievement action Adam Bede appear artist attitude beauty become behaviour Bennett Brontë century characters Charlotte Brontë comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humour imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence literary lives London marry Meredith mind Miss Austen moral nature never novelist passion perhaps plot poetry Princess Casamassima prose reality rendering Richardson romantic satire scarcely scene Scott seems sense sensibility Smollett social society Sons and Lovers story successful symbol Thackeray Thackeray's things Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Wuthering Heights young