The English Novel: A Short Critical History |
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Page 50
Fielding decided that Pamela should have a brother, a virtuous footman named
Joseph, who would repulse the advances ... for, having discovered the form of the
novel, Fielding went on to do something quite different from merely poking fun at
...
Fielding decided that Pamela should have a brother, a virtuous footman named
Joseph, who would repulse the advances ... for, having discovered the form of the
novel, Fielding went on to do something quite different from merely poking fun at
...
Page 61
Squire Western is, in fact, a drunken boor, one of those centres of arbitrary power
Fielding loathed. Fielding, it has become a cliché of criticism, was “a man's man',
and his heroines are the women of a man's man. Sophia Western is scarcely ...
Squire Western is, in fact, a drunken boor, one of those centres of arbitrary power
Fielding loathed. Fielding, it has become a cliché of criticism, was “a man's man',
and his heroines are the women of a man's man. Sophia Western is scarcely ...
Page 63
The plot is not a bad plot, and it is certainly not unskilfully handled; but it is the
wrong plot for the novel Fielding was writing. The reader who comes to Fielding's
fiction with some acquaintance already with the nineteenth-century novel may ...
The plot is not a bad plot, and it is certainly not unskilfully handled; but it is the
wrong plot for the novel Fielding was writing. The reader who comes to Fielding's
fiction with some acquaintance already with the nineteenth-century novel may ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young