The English Novel: A Short Critical History |
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Page 217
... George Eliot could have succeeded with it in her own time , and no novelist of any seriousness since her day would have dared attempt it . It has the charm of a fairy story with the solidity of a completely created fictitious society ...
... George Eliot could have succeeded with it in her own time , and no novelist of any seriousness since her day would have dared attempt it . It has the charm of a fairy story with the solidity of a completely created fictitious society ...
Page 218
... George Eliot's intuitive understanding of spiritual and intellectual ardour . And reading of Esther Lyon's relation with Felix , one sees how George Eliot enters and occupies an area of experience novelists have commonly ignored : the ...
... George Eliot's intuitive understanding of spiritual and intellectual ardour . And reading of Esther Lyon's relation with Felix , one sees how George Eliot enters and occupies an area of experience novelists have commonly ignored : the ...
Page 304
... George Ponderevo , the hero and the narrator . It was probably fatal that Wells decided to tell his story in the first person , especially since Ponderevo is as much con- cerned with ideas as his creator ; it meant almost inevitably ...
... George Ponderevo , the hero and the narrator . It was probably fatal that Wells decided to tell his story in the first person , especially since Ponderevo is as much con- cerned with ideas as his creator ; it meant almost inevitably ...
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achievement action Adam Bede appear artist attitude beauty become behaviour Bennett Brontë century characters Charlotte Brontë comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humour imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence literary lives London marry Meredith mind Miss Austen moral nature never novelist passion perhaps plot poetry Princess Casamassima prose reality rendering Richardson romantic satire scarcely scene Scott seems sense sensibility Smollett social society Sons and Lovers story successful symbol Thackeray Thackeray's things Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Wuthering Heights young