The English Novel: A Short Critical History |
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Page 217
a miser, is robbed of his gold, and redeemed and brought back to himan
fellowship by the discovery and adoption of a golden-haired baby girl; only
George Eliot could have succeeded with it in her own time, and no novelist of any
seriousness ...
a miser, is robbed of his gold, and redeemed and brought back to himan
fellowship by the discovery and adoption of a golden-haired baby girl; only
George Eliot could have succeeded with it in her own time, and no novelist of any
seriousness ...
Page 218
But it is no longer exactly new, and it wasn't when George Eliot was writing; and
Felix Holt remains as it were a frozen attitude, almost a propagandist's dummy, as
may be seen if he is compared with his silly old mother, who is alive from the ...
But it is no longer exactly new, and it wasn't when George Eliot was writing; and
Felix Holt remains as it were a frozen attitude, almost a propagandist's dummy, as
may be seen if he is compared with his silly old mother, who is alive from the ...
Page 304
The boy is George Ponderevo, the hero and the narrator. It was probably fatal
that Wells decided to tell his story in the first person, especially since Ponderevo
is as much concerned with ideas as his creator; it meant almost inevitably that
ideas ...
The boy is George Ponderevo, the hero and the narrator. It was probably fatal
that Wells decided to tell his story in the first person, especially since Ponderevo
is as much concerned with ideas as his creator; it meant almost inevitably that
ideas ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young