The English Novel: A Short Critical History |
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Page 193
... Trollope's interest in and approach to his story may well be considered political in the sense that he is ... Trollope . It is more nearly a unity than any other of his novels . But Trollope became a better novelist the more he wrote ...
... Trollope's interest in and approach to his story may well be considered political in the sense that he is ... Trollope . It is more nearly a unity than any other of his novels . But Trollope became a better novelist the more he wrote ...
Page 194
... Trollope's young men are the best , as hommes moyen sensuels , in Victorian fiction , for George Eliot was too rigid a moralist to allow Arthur Donnithorne , for example , to remain Yunscathed by the consequences of his sin . But there ...
... Trollope's young men are the best , as hommes moyen sensuels , in Victorian fiction , for George Eliot was too rigid a moralist to allow Arthur Donnithorne , for example , to remain Yunscathed by the consequences of his sin . But there ...
Page 197
... Trollope's , the disinterested- ness of his imagination . It operates only intermittently , but it is there all the same , and is one of the rarest qualities in fiction : the ability to see a character wholly in the round , and without ...
... Trollope's , the disinterested- ness of his imagination . It operates only intermittently , but it is there all the same , and is one of the rarest qualities in fiction : the ability to see a character wholly in the round , and without ...
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achievement action Adam Bede appear artist attitude beauty become behaviour Bennett Brontë century characters Charlotte Brontë comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humour imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence literary lives London marry Meredith mind Miss Austen moral nature never novelist passion perhaps plot poetry Princess Casamassima prose reality rendering Richardson romantic satire scarcely scene Scott seems sense sensibility Smollett social society Sons and Lovers story successful symbol Thackeray Thackeray's things Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Wuthering Heights young