The English Novel: A Short Critical History |
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Page 331
The quotation continues: Consciousness does not appear to itself chopped up in
bits. . . . It is nothing jointed; it flows. ... Let us call it the stream of thought, of
consciousness, or of subjective life. The phrase “stream of consciousness' was
taken ...
The quotation continues: Consciousness does not appear to itself chopped up in
bits. . . . It is nothing jointed; it flows. ... Let us call it the stream of thought, of
consciousness, or of subjective life. The phrase “stream of consciousness' was
taken ...
Page 332
Who first invented the stream of consciousness technique and what were its
sources are questions more interesting than important. Something like it occurs
intermittently in many novelists of the past when dealing with characters whose
mental ...
Who first invented the stream of consciousness technique and what were its
sources are questions more interesting than important. Something like it occurs
intermittently in many novelists of the past when dealing with characters whose
mental ...
Page 355
... 329; stream of consciousness technique, 329–43. See also Naturalism;
Political novel; Regional novel; Stream of consciousness technique; Women,
portrayal of Novel, novelists' and critics' attitude to: Arnold Bennett, 3oo—1;
Elizabeth ...
... 329; stream of consciousness technique, 329–43. See also Naturalism;
Political novel; Regional novel; Stream of consciousness technique; Women,
portrayal of Novel, novelists' and critics' attitude to: Arnold Bennett, 3oo—1;
Elizabeth ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young