The English Novel: A Short Critical History |
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Page 103
Yet Jane Austen, too, was a revolutionary, however unconsciously, and few of the
changes in critical opinion of this century would surprise the critic of a hundred
years ago more than the comparatively sudden rise in her reputation and the ...
Yet Jane Austen, too, was a revolutionary, however unconsciously, and few of the
changes in critical opinion of this century would surprise the critic of a hundred
years ago more than the comparatively sudden rise in her reputation and the ...
Page 134
It is not that the Victorians were uncritical of their country and age, but their
criticisms are much less radical than those of, say, Balzac, Stendhal, Turgenev,
Flaubert, and Dostoevsky, and of a different kind. For a good reason: the
condition of ...
It is not that the Victorians were uncritical of their country and age, but their
criticisms are much less radical than those of, say, Balzac, Stendhal, Turgenev,
Flaubert, and Dostoevsky, and of a different kind. For a good reason: the
condition of ...
Page 349
... her criticism of life through comedy, Ioy; Pride and Prejudice, Ioy, IoS,
Mansfield Park, 108–10; Emma, 11o-11; Charlotte's Brontė's criticism, 111– 1.12;
influence, 112 Autobiography of Mark Rutherford, The, 273–4 Autobiography (
Trollope), ...
... her criticism of life through comedy, Ioy; Pride and Prejudice, Ioy, IoS,
Mansfield Park, 108–10; Emma, 11o-11; Charlotte's Brontė's criticism, 111– 1.12;
influence, 112 Autobiography of Mark Rutherford, The, 273–4 Autobiography (
Trollope), ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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