The English Novel: A Short Critical History |
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Page 64
Lismahago, in Humphry Clinker, the most humane of his works, is described thus:
He would have measured about six feet in height, had he stood upright; but he
stooped very much; was very narrow in the shoulders, and very thick in the ...
Lismahago, in Humphry Clinker, the most humane of his works, is described thus:
He would have measured about six feet in height, had he stood upright; but he
stooped very much; was very narrow in the shoulders, and very thick in the ...
Page 200
His values may be described as sub-Kingsleyan; that is to say, he is recognizably
of the 'Muscular Christian' group of writers to which Tom Hughes, of Tom Brown's
Schooldays, also belonged: curates are namby-pamby unless they make a ...
His values may be described as sub-Kingsleyan; that is to say, he is recognizably
of the 'Muscular Christian' group of writers to which Tom Hughes, of Tom Brown's
Schooldays, also belonged: curates are namby-pamby unless they make a ...
Page 211
Yet, like Scott, she gained from the fact that the world she described was a
finished one. Since it was finished, it was static. It could therefore be described
completely; and in the solidity and comprehensiveness with which she created
her ...
Yet, like Scott, she gained from the fact that the world she described was a
finished one. Since it was finished, it was static. It could therefore be described
completely; and in the solidity and comprehensiveness with which she created
her ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young