The English Novel: A Short Critical History |
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Page 85
Sensibility, in its various manifestations, was the contemporary expression of
what Johnson called 'that hunger of the imagination which preys incessantly on
life'. Johnson knew all about sensibility, and for him, as for the great writers of the
first ...
Sensibility, in its various manifestations, was the contemporary expression of
what Johnson called 'that hunger of the imagination which preys incessantly on
life'. Johnson knew all about sensibility, and for him, as for the great writers of the
first ...
Page 136
In the shape of the Evangelical Movement, the idea swept over England on a
flood-tide; by the seventeen-eighties it had received brilliant literary expression in
Cowper's poem The Task. Jane Austen's novels had reinforced it; and it is
amusing ...
In the shape of the Evangelical Movement, the idea swept over England on a
flood-tide; by the seventeen-eighties it had received brilliant literary expression in
Cowper's poem The Task. Jane Austen's novels had reinforced it; and it is
amusing ...
Page 148
He could no longer afford the open cynicism of Pixian Grey, and when it
appeared, Coningsby was at once a tract for the times, a political manifesto, and
an expression of the grossest flattery towards its author's young supporters, four
men of ...
He could no longer afford the open cynicism of Pixian Grey, and when it
appeared, Coningsby was at once a tract for the times, a political manifesto, and
an expression of the grossest flattery towards its author's young supporters, four
men of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young