The English Novel: A Short Critical History |
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Page 142
There is, too, as in Copperfield, a singular purity in the drawing of the adult
characters as they are seen through the boy's eyes. They are, in fact, a boy's
characters: fabulous beings, drawn not critically but in wonder. And one of them
is quite ...
There is, too, as in Copperfield, a singular purity in the drawing of the adult
characters as they are seen through the boy's eyes. They are, in fact, a boy's
characters: fabulous beings, drawn not critically but in wonder. And one of them
is quite ...
Page 189
We first see Heathcliff through the eyes of the narrator Mr Lockwopd, the outsider
from the south who has rented Thrushcross Park from him. We share in
Lockwood's bewilderment and curiosity at the strange situation at Wuthering
Heights, and ...
We first see Heathcliff through the eyes of the narrator Mr Lockwopd, the outsider
from the south who has rented Thrushcross Park from him. We share in
Lockwood's bewilderment and curiosity at the strange situation at Wuthering
Heights, and ...
Page 334
Mrs Dalloway raised her hand to her eyes, and, as the maid shut the door to, and
she heard the swish of Lucy's skirts, she felt like a nun who has left the world and
feels fold round her the familiar veils and the response to old devotions.
Mrs Dalloway raised her hand to her eyes, and, as the maid shut the door to, and
she heard the swish of Lucy's skirts, she felt like a nun who has left the world and
feels fold round her the familiar veils and the response to old devotions.
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young