The English Novel: A Short Critical History |
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Page 55
... feel that Fielding knows everything there is to know about his characters even though he does not tell us all . They are so real to him that , even though he may give us no more than a glimpse of them , they become real for us . Behind ...
... feel that Fielding knows everything there is to know about his characters even though he does not tell us all . They are so real to him that , even though he may give us no more than a glimpse of them , they become real for us . Behind ...
Page 93
... feel , to feel the appropriate emotions of wonder , awe , and terror . From this point of view , The Mysteries of Udolpho may be considered as a machine for making the reader feel similar emotions , The Alpes maritimes and castles in ...
... feel , to feel the appropriate emotions of wonder , awe , and terror . From this point of view , The Mysteries of Udolpho may be considered as a machine for making the reader feel similar emotions , The Alpes maritimes and castles in ...
Page 346
... feels . ... That presumes an ego to feel with . I only care for what the woman is . . . . You mustn't look in my novel for the old stable ego of character . There is another ego , according to whose action the individual is 346 THE ...
... feels . ... That presumes an ego to feel with . I only care for what the woman is . . . . You mustn't look in my novel for the old stable ego of character . There is another ego , according to whose action the individual is 346 THE ...
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Common terms and phrases
achievement action Adam Bede appear artist attitude beauty become behaviour Bennett Brontë century characters Charlotte Brontë comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humour imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence literary lives London marry Meredith mind Miss Austen moral nature never novelist passion perhaps plot poetry Princess Casamassima prose reality rendering Richardson romantic satire scarcely scene Scott seems sense sensibility Smollett social society Sons and Lovers story successful symbol Thackeray Thackeray's things Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Wuthering Heights young