The English Novel: A Short Critical History |
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Page 100
... perverting her native Irish good humour and simplicity into a comic parody of
English aristocratic manners and behaviour; a figure of fun to the ladies who flock
to her balls and routs; a source of endless expense to her weak-willed husband,
...
... perverting her native Irish good humour and simplicity into a comic parody of
English aristocratic manners and behaviour; a figure of fun to the ladies who flock
to her balls and routs; a source of endless expense to her weak-willed husband,
...
Page 221
Casaubon is a terrifying figure of haunted futility. George Eliot's comprehension
of him and pity for him are such that he exists on the grand scale. He too—and
we are made almost against our will to feel this—has within him “a certain
spiritual ...
Casaubon is a terrifying figure of haunted futility. George Eliot's comprehension
of him and pity for him are such that he exists on the grand scale. He too—and
we are made almost against our will to feel this—has within him “a certain
spiritual ...
Page 325
Reconciliation is possible; and it comes about through the figure of Mrs Moore,
the old English lady on whom India has such a strange effect and who becomes,
after she leaves India to die on the voyage home, almost a local goddess. She is
...
Reconciliation is possible; and it comes about through the figure of Mrs Moore,
the old English lady on whom India has such a strange effect and who becomes,
after she leaves India to die on the voyage home, almost a local goddess. She is
...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young