The English Novel: A Short Critical History |
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Page 74
You believe you think logically, that one thought follows another in orderly
sequence, that you are in control of your ... write—It must follow, an' please your
worships, that the more I write, the more I shall have to write—and consequently,
the ...
You believe you think logically, that one thought follows another in orderly
sequence, that you are in control of your ... write—It must follow, an' please your
worships, that the more I write, the more I shall have to write—and consequently,
the ...
Page 79
Yet he had real powers of invention and could write a swift, effective satirical
scene and follow it instantly with another; if the chapters describing how a
clergyman's wife bribes a bishop's wife in order to get a vacant living for her
husband and ...
Yet he had real powers of invention and could write a swift, effective satirical
scene and follow it instantly with another; if the chapters describing how a
clergyman's wife bribes a bishop's wife in order to get a vacant living for her
husband and ...
Page 256
But there was another influence as potent, Balzac's, and the two novels that
follow The Portrait, The Bostonians and The Princess Casamassima, both of
which appeared in 1886, follow Balzac in that the notion of the novelist lying
behind them ...
But there was another influence as potent, Balzac's, and the two novels that
follow The Portrait, The Bostonians and The Princess Casamassima, both of
which appeared in 1886, follow Balzac in that the notion of the novelist lying
behind them ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young