The English Novel: A Short Critical History |
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Page 58
While his wanton fancy roamed unbounded over all her beauties, and his lively
imagination painted the charming maid in various ravishing forms, his warm heart
melted with tenderness; and at length, throwing himself on the ground, by the ...
While his wanton fancy roamed unbounded over all her beauties, and his lively
imagination painted the charming maid in various ravishing forms, his warm heart
melted with tenderness; and at length, throwing himself on the ground, by the ...
Page 291
There are many shades in the danger of adventures and gales, and it is only now
and then that there appears on the face of facts a sinister violence of intention—
that indefinable something which forces it upon the mind and the heart of a man,
...
There are many shades in the danger of adventures and gales, and it is only now
and then that there appears on the face of facts a sinister violence of intention—
that indefinable something which forces it upon the mind and the heart of a man,
...
Page 321
The fate of those who suffer from this condition is suggested in this passage from
A Room With a Piew (1908): She gave up trying to understand herself, and joined
the vast armies of the benighted, who follow neither the heart nor the brain, but ...
The fate of those who suffer from this condition is suggested in this passage from
A Room With a Piew (1908): She gave up trying to understand herself, and joined
the vast armies of the benighted, who follow neither the heart nor the brain, but ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young