The English Novel: A Short Critical History |
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Page 102
Lord Colambre and Grace Nugent, the hero and heroine, are to the point here.
Colambre is a very passable attempt at a hero, for after Fielding and until we
come to Meredith the great English novelists generally fail with their heroes. That
he ...
Lord Colambre and Grace Nugent, the hero and heroine, are to the point here.
Colambre is a very passable attempt at a hero, for after Fielding and until we
come to Meredith the great English novelists generally fail with their heroes. That
he ...
Page 116
It made him set at the centre of his fictions the romantic hero and the romantic
heroine. It is the fate of the romantic hero to be colourless, and perhaps Scott's
are no more so than Nicholas Nickleby; the one hero who does emerge as a
living ...
It made him set at the centre of his fictions the romantic hero and the romantic
heroine. It is the fate of the romantic hero to be colourless, and perhaps Scott's
are no more so than Nicholas Nickleby; the one hero who does emerge as a
living ...
Page 287
The subject is self-determination, the hero the young man in revolt against his
family background and the values it represents. One can't say such novels would
not have been written except for Butler's example: they include Bennett's ...
The subject is self-determination, the hero the young man in revolt against his
family background and the values it represents. One can't say such novels would
not have been written except for Butler's example: they include Bennett's ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young