The English Novel: A Short Critical History |
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Page 53
“Written in Imitation of the Manner of Cervantes, Author of Don Quixote', says the
title-page of the novel, an important piece of information often omitted from
modern editions. The Quixote figure is Adams, but the structure of the book also ...
“Written in Imitation of the Manner of Cervantes, Author of Don Quixote', says the
title-page of the novel, an important piece of information often omitted from
modern editions. The Quixote figure is Adams, but the structure of the book also ...
Page 98
The year 1890, however, is a date of the first importance in the history of English
fiction, indeed of world fiction, for in that ... still hold , good: 'Whereas Jane Austen
was so much the better novelist Maria Edgeworth may be the more important.
The year 1890, however, is a date of the first importance in the history of English
fiction, indeed of world fiction, for in that ... still hold , good: 'Whereas Jane Austen
was so much the better novelist Maria Edgeworth may be the more important.
Page 223
And, like an ardently held religious belief, it made every action of her characters
important. ... In consequence, the characters themselves achieve a new
importance in her novels, almost as though their - eternal well-being is constantly
...
And, like an ardently held religious belief, it made every action of her characters
important. ... In consequence, the characters themselves achieve a new
importance in her novels, almost as though their - eternal well-being is constantly
...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
5 other sections not shown
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Common terms and phrases
accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young