The English Novel: A Short Critical History |
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Page 29
It was written as a religious allegory, as a tract or a sermon. cholars have tracked
down works that may have influenced Bunyan nd he may conceivably have read.
They do not matter in the least: Junyan was a transcendent genius, the first to ...
It was written as a religious allegory, as a tract or a sermon. cholars have tracked
down works that may have influenced Bunyan nd he may conceivably have read.
They do not matter in the least: Junyan was a transcendent genius, the first to ...
Page 351
... 194, 211,225, 229,303, 319, 332; influence of Cervantes, zo, 52, 53, 65;
influence of Shakespeare, 22; as reformer, and social work, 41, 5o, 51;
dominates English novel for a century, 50, 63; dramatic work, 50–1; expresses
social conscience ...
... 194, 211,225, 229,303, 319, 332; influence of Cervantes, zo, 52, 53, 65;
influence of Shakespeare, 22; as reformer, and social work, 41, 5o, 51;
dominates English novel for a century, 50, 63; dramatic work, 50–1; expresses
social conscience ...
Page 355
... Victorian social consciousness contrasted with French and Russian, 134–5;
effect of Victorian idea of respectability on the novel, 135–9; European influence,
and growth of seriousness in later Victorian period, 208–9; poetic intensity in, 224
, ...
... Victorian social consciousness contrasted with French and Russian, 134–5;
effect of Victorian idea of respectability on the novel, 135–9; European influence,
and growth of seriousness in later Victorian period, 208–9; poetic intensity in, 224
, ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young