The English Novel: A Short Critical History |
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Page 32
interest for us here is in Mrs Behn's attempt to engraft verisimilitude on to a
conventional story of romance. Mrs Behn came to prose fiction from the heroic
drama, and in essence the story of Oroonoko is that of heroic drama, the story of
ill-fated ...
interest for us here is in Mrs Behn's attempt to engraft verisimilitude on to a
conventional story of romance. Mrs Behn came to prose fiction from the heroic
drama, and in essence the story of Oroonoko is that of heroic drama, the story of
ill-fated ...
Page 218
In fact, no reader's interest has ever been engaged by the plot of Felix Holt. Holt
himself is a bore, and this against the reader's will, for intrinsically he is an
interesting character. He is never, however, quite allowed to establish himself.
Instead ...
In fact, no reader's interest has ever been engaged by the plot of Felix Holt. Holt
himself is a bore, and this against the reader's will, for intrinsically he is an
interesting character. He is never, however, quite allowed to establish himself.
Instead ...
Page 340
But it may be that the real fructifying interest in the novel will begin to operate only
after the scholiasts have finished their work. In any case, it is exceedingly unlikely
that they would ever have begun it but for Ulysses' obvious and immediate ...
But it may be that the real fructifying interest in the novel will begin to operate only
after the scholiasts have finished their work. In any case, it is exceedingly unlikely
that they would ever have begun it but for Ulysses' obvious and immediate ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young