The English Novel: A Short Critical History |
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Page 210
... their own devices instead of obeying a law they believe in.... The evil principle
deprecated in that religion, is the orderly sequence by which the seed brings forth
a crop after its kind.” George Eliot believed, almost like a fanatic of determinism, ...
... their own devices instead of obeying a law they believe in.... The evil principle
deprecated in that religion, is the orderly sequence by which the seed brings forth
a crop after its kind.” George Eliot believed, almost like a fanatic of determinism, ...
Page 305
Disraeli, Mrs Gaskell, Dickens, were southerners for whom the industrial north
was essentially alien; the revolution that had made it was new and frightening, an
affront and a threat, and its towns were at once centres of a new kind of power ...
Disraeli, Mrs Gaskell, Dickens, were southerners for whom the industrial north
was essentially alien; the revolution that had made it was new and frightening, an
affront and a threat, and its towns were at once centres of a new kind of power ...
Page 348
Symbolism of this kind cannot be paraphrased; it can only be experienced. It is
probably the rarest kind of artistic creation, and it is everywhere in Lawrence.
Lawrence's use of the symbol explains also his failures, as for instance The
Plumed ...
Symbolism of this kind cannot be paraphrased; it can only be experienced. It is
probably the rarest kind of artistic creation, and it is everywhere in Lawrence.
Lawrence's use of the symbol explains also his failures, as for instance The
Plumed ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young