The English Novel: A Short Critical History |
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Page 48
Faced with so formidable a literary innovator as Richardson, scholars have
naturally sought to estimate his indebtedness to other writers. They have not
found the task easy. Did he owe anything to the novel La Pie de Marianne, by the
French ...
Faced with so formidable a literary innovator as Richardson, scholars have
naturally sought to estimate his indebtedness to other writers. They have not
found the task easy. Did he owe anything to the novel La Pie de Marianne, by the
French ...
Page 72
Yet Tristram Shandy is a novel and nothing else but a novel for all that it has
never been found easy to pigeon-hole; a fact which should put us on our guard
against interpreting the novel as a literary form too narrowly. To summarize the
plot is ...
Yet Tristram Shandy is a novel and nothing else but a novel for all that it has
never been found easy to pigeon-hole; a fact which should put us on our guard
against interpreting the novel as a literary form too narrowly. To summarize the
plot is ...
Page 99
Turgenev is said to have stated that he was “an unconscious disciple of Miss
Edgeworth in ... setting out-on-his literary career'. - The originality of Maria
Edgeworth's contribution to the novel is apparent as soon as one begins to read
Castle ...
Turgenev is said to have stated that he was “an unconscious disciple of Miss
Edgeworth in ... setting out-on-his literary career'. - The originality of Maria
Edgeworth's contribution to the novel is apparent as soon as one begins to read
Castle ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young