The English Novel: A Short Critical History |
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Page 160
When he accepts them without intervention of moral scruples, rejoices in them for
their own sake, the result is pure humour: Pickwick, the Wellers, Micawber, Boffin
or, greatest of them all, Mrs Gamp. When sympathy is withheld or he feels a ...
When he accepts them without intervention of moral scruples, rejoices in them for
their own sake, the result is pure humour: Pickwick, the Wellers, Micawber, Boffin
or, greatest of them all, Mrs Gamp. When sympathy is withheld or he feels a ...
Page 161
also exist for their own sake, without reference to moral considerations. Silas
Wegg is an instance of this process. When he comes out with such a
magnificently comic phrase as “Since I called upon you that evening when you
were, as I may ...
also exist for their own sake, without reference to moral considerations. Silas
Wegg is an instance of this process. When he comes out with such a
magnificently comic phrase as “Since I called upon you that evening when you
were, as I may ...
Page 210
Born in the Established Church, she had become d §. as a girl; essentially
religious, she was brought by her intellectual honesty to a reluctant agnosticism,
an agnosticism that laid as remorseless a stress on morals, on right behaviour, as
had ...
Born in the Established Church, she had become d §. as a girl; essentially
religious, she was brought by her intellectual honesty to a reluctant agnosticism,
an agnosticism that laid as remorseless a stress on morals, on right behaviour, as
had ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young