The English Novel: A Short Critical History |
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Page 320
These at their most convincing appear as perceptions of the nature of reality, as
in Helen Schlegel's experience of Beethoven's Fifth Symphony, in Howard's End
(1910); the passage is quintessentially Forster, and in a sense the whole of him ...
These at their most convincing appear as perceptions of the nature of reality, as
in Helen Schlegel's experience of Beethoven's Fifth Symphony, in Howard's End
(1910); the passage is quintessentially Forster, and in a sense the whole of him ...
Page 321
When allowance is made for its comparative lightness and whimsicality of
expression, Helen Schlegel's intuition anticipates Mrs Moore's in Marabar Caves,
in A Passage to India, when the echo murmurs to her: 'Pathos, piety, courage—
they ...
When allowance is made for its comparative lightness and whimsicality of
expression, Helen Schlegel's intuition anticipates Mrs Moore's in Marabar Caves,
in A Passage to India, when the echo murmurs to her: 'Pathos, piety, courage—
they ...
Page 325
On this level, A Passage to India is a superb realistic novel, and its conclusion,
with Aziz and Fielding meeting on horse-back in a native state years after Aziz's
trial, is what the facts of the novel dictate: 'Why can't we be friends now?” said the
...
On this level, A Passage to India is a superb realistic novel, and its conclusion,
with Aziz and Fielding meeting on horse-back in a native state years after Aziz's
trial, is what the facts of the novel dictate: 'Why can't we be friends now?” said the
...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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