The English Novel: A Short Critical History |
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Page 146
possible. In. Englan. onal distinction is the only passport to the society of the
great. Whether this distinction arise from fortune, society, a man must have blood,
a million, or genius.' Vivian Grey has the last. The son of a man of letters, he
meets ...
possible. In. Englan. onal distinction is the only passport to the society of the
great. Whether this distinction arise from fortune, society, a man must have blood,
a million, or genius.' Vivian Grey has the last. The son of a man of letters, he
meets ...
Page 242
It may safely be asserted with regard to the closeness of his cuts, that had it been
possible for the edge of the sword to leave in the air a permanent substance
wherever it flew past, the space left untouched would have been almost a mould
of ...
It may safely be asserted with regard to the closeness of his cuts, that had it been
possible for the edge of the sword to leave in the air a permanent substance
wherever it flew past, the space left untouched would have been almost a mould
of ...
Page 305
It is, if such a thing is possible, a limited universality, true for a certain kind of
community at a certain point in time, a picture of life not only in the Five Towns but
in any industrial provincial community during the last three decades of the ...
It is, if such a thing is possible, a limited universality, true for a certain kind of
community at a certain point in time, a picture of life not only in the Five Towns but
in any industrial provincial community during the last three decades of the ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young