The English Novel: A Short Critical History |
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Page 114
The point is that they are all rooted in the most palpable kinds of material reality,
the reality of life shaped by the forces of history, or the reality of work, of
traditional skills and professions. These realities give them reality. And what is
remarkable ...
The point is that they are all rooted in the most palpable kinds of material reality,
the reality of life shaped by the forces of history, or the reality of work, of
traditional skills and professions. These realities give them reality. And what is
remarkable ...
Page 272
At the same time, the women in the novel, the old Kirstie and the young, for the
first time in Stevenson have reality, and their reality is vibrant. Weir of Hermiston
strikes us as a fragment of epic. We know that the Lord Justice-Clerk was based
on ...
At the same time, the women in the novel, the old Kirstie and the young, for the
first time in Stevenson have reality, and their reality is vibrant. Weir of Hermiston
strikes us as a fragment of epic. We know that the Lord Justice-Clerk was based
on ...
Page 323
Its theme is reality and its nature, as is made plain in the first chapter, in which the
hero Rickie, then an undergraduate, is discussing with his friends the
metaphysical problem, Does a cow exist when there is no one there to see it?
Rickie is in ...
Its theme is reality and its nature, as is made plain in the first chapter, in which the
hero Rickie, then an undergraduate, is discussing with his friends the
metaphysical problem, Does a cow exist when there is no one there to see it?
Rickie is in ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young