The English Novel: A Short Critical History |
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Page 34
... relation to literature . In other words , it was not yet an accepted form , much less an inevitable one even for writers whose interest in character was strongly developed . The characters of Addison's Spectator papers , Sir Roger de ...
... relation to literature . In other words , it was not yet an accepted form , much less an inevitable one even for writers whose interest in character was strongly developed . The characters of Addison's Spectator papers , Sir Roger de ...
Page 134
... relation to God and to his fellows , indeed of Russian man in relation to the whole world , visible and invisible , in which he lived . ། Elut Nineteenth - century Russian fiction , then , 134 THE ENGLISH NOVEL.
... relation to God and to his fellows , indeed of Russian man in relation to the whole world , visible and invisible , in which he lived . ། Elut Nineteenth - century Russian fiction , then , 134 THE ENGLISH NOVEL.
Page 153
... relation with him he was less than himself . His public readings have been deplored ; but they indicate the intensity of his craving for what was almost a symbiotic relation with his public . It was one of the conditions necessary to ...
... relation with him he was less than himself . His public readings have been deplored ; but they indicate the intensity of his craving for what was almost a symbiotic relation with his public . It was one of the conditions necessary to ...
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achievement action Adam Bede appear artist attitude beauty become behaviour Bennett Brontë century characters Charlotte Brontë comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humour imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence literary lives London marry Meredith mind Miss Austen moral nature never novelist passion perhaps plot poetry Princess Casamassima prose reality rendering Richardson romantic satire scarcely scene Scott seems sense sensibility Smollett social society Sons and Lovers story successful symbol Thackeray Thackeray's things Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Wuthering Heights young