The English Novel: A Short Critical History |
From inside the book
Results 1-3 of 41
Page 48
The hero represents Richardson's ideal of manly virtue as Pamela his ideal of
female virtue. It was a deliberate attempt to redress the balance, since both Mr B.,
of Pamela, and Lovelace had been villains. Perhaps Sir Charles is the author's ...
The hero represents Richardson's ideal of manly virtue as Pamela his ideal of
female virtue. It was a deliberate attempt to redress the balance, since both Mr B.,
of Pamela, and Lovelace had been villains. Perhaps Sir Charles is the author's ...
Page 164
The money-power he represents drags classes higher, as well as lower, than his
own into his orbit: he can buy an aristocratic young woman as his second wife.
But Dombey, though he does not know it, himself represents a form of power in its
...
The money-power he represents drags classes higher, as well as lower, than his
own into his orbit: he can buy an aristocratic young woman as his second wife.
But Dombey, though he does not know it, himself represents a form of power in its
...
Page 287
The subject is self-determination, the hero the young man in revolt against his
family background and the values it represents. One can't say such novels would
not have been written except for Butler's example: they include Bennett's ...
The subject is self-determination, the hero the young man in revolt against his
family background and the values it represents. One can't say such novels would
not have been written except for Butler's example: they include Bennett's ...
What people are saying - Write a review
LibraryThing Review
User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young