The English Novel: A Short Critical History |
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Page 157
Scarcely ever are they ordinary; the very notion of the ordinary is foreign to the
child, to whom everyone encountered is unique. When people have very
powerfully impressed us in childhood they remain for ever so fixed in the memory
, with the ...
Scarcely ever are they ordinary; the very notion of the ordinary is foreign to the
child, to whom everyone encountered is unique. When people have very
powerfully impressed us in childhood they remain for ever so fixed in the memory
, with the ...
Page 166
This can scarcely be questioned when one remembers the characters of the
novel, those sharp, scathing sketches of the money-conscious, the Veneerings,
Podsmap, Fledgeby, the Lammles. Any account of Dickens is inadequate. He is
the ...
This can scarcely be questioned when one remembers the characters of the
novel, those sharp, scathing sketches of the money-conscious, the Veneerings,
Podsmap, Fledgeby, the Lammles. Any account of Dickens is inadequate. He is
the ...
Page 311
... never comes alive; it is scarcely possible that she should, presented as she is
through the minds of the Forsytes, since they are, by definition, characters which
do not possess the kind of mind through which beauty can be vividly realized.
... never comes alive; it is scarcely possible that she should, presented as she is
through the minds of the Forsytes, since they are, by definition, characters which
do not possess the kind of mind through which beauty can be vividly realized.
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young