The English Novel: A Short Critical History |
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Page 89
Her theme is always a young girl's impressions of the social world, her mistakes
in society, her gradual discovery of its values, and her discovery of love, which,
after some misunderstandings due to her innocence, ends in marriage. Evelina is
...
Her theme is always a young girl's impressions of the social world, her mistakes
in society, her gradual discovery of its values, and her discovery of love, which,
after some misunderstandings due to her innocence, ends in marriage. Evelina is
...
Page 169
“Wherever there was a man, he saw a snob'; and snobbery, the jockeying for
social position and the pretence to a status rather higher than the person's true
one, he saw as the main driving force of man in society. This view of man has
satisfied ...
“Wherever there was a man, he saw a snob'; and snobbery, the jockeying for
social position and the pretence to a status rather higher than the person's true
one, he saw as the main driving force of man in society. This view of man has
satisfied ...
Page 222
... jealousies, and social truckling, and win celebrity, however slowly, as Jenner
had done, by the independent value of his work. By gaining the support of the
philanthropic banker Bulstrode, who is building a new hospital, Lydgate seems to
be ...
... jealousies, and social truckling, and win celebrity, however slowly, as Jenner
had done, by the independent value of his work. By gaining the support of the
philanthropic banker Bulstrode, who is building a new hospital, Lydgate seems to
be ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young