The English Novel: A Short Critical History |
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Page 96
If true symbols, they can never be reduced to what their creator believes they
stand for. It is an index of Godwin's successful use of symbol that the reader today
, even though he knows the connection between the novel and Political Justice, ...
If true symbols, they can never be reduced to what their creator believes they
stand for. It is an index of Godwin's successful use of symbol that the reader today
, even though he knows the connection between the novel and Political Justice, ...
Page 324
Why more successful it is easy to see. His very subject of India, with its clashes of
race, religion, and colour, compelled Forster to interpret his values in terms of a
concrete situation taken from contemporary history. The complicated plot had to ...
Why more successful it is easy to see. His very subject of India, with its clashes of
race, religion, and colour, compelled Forster to interpret his values in terms of a
concrete situation taken from contemporary history. The complicated plot had to ...
Page 335
In her last novel, in some respects her most successful, Between the Acts (1941),
she sets the action, which is played out in a country house in whose grounds a
pageant is to be held, against the whole background of the history of life.
In her last novel, in some respects her most successful, Between the Acts (1941),
she sets the action, which is played out in a country house in whose grounds a
pageant is to be held, against the whole background of the history of life.
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young