The English Novel: A Short Critical History |
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Page 34
In other words, it was not yet an accepted form, much less an inevitable one even
for writers whose interest in ... author should take the form of writing novels, and
Sir Roger and the others exist on the threshold of a novel that was never written.
In other words, it was not yet an accepted form, much less an inevitable one even
for writers whose interest in ... author should take the form of writing novels, and
Sir Roger and the others exist on the threshold of a novel that was never written.
Page 95
psychological states in man, as well as to the great host of crude t thriller-writers
of the present day. ... Godwin , was a political philosopher, and the boldness of
conception that went to the writing of Political Justice did Godwin no harm when
he ...
psychological states in man, as well as to the great host of crude t thriller-writers
of the present day. ... Godwin , was a political philosopher, and the boldness of
conception that went to the writing of Political Justice did Godwin no harm when
he ...
Page 174
standpoint of one who had taken part in them but was writing in the days of
George II, helped greatly to overcome some of Thackeray's weaknesses in
dealing with his own time. At least we are free of the obsession with snobs and
snobbery.
standpoint of one who had taken part in them but was writing in the days of
George II, helped greatly to overcome some of Thackeray's weaknesses in
dealing with his own time. At least we are free of the obsession with snobs and
snobbery.
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
Acknowledgments | 7 |
The Beginnings | 19 |
The Eighteenth Century | 40 |
Copyright | |
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accepted achievement action appear attempt become beginning better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look master means mind Miss moral nature never novel novelist passage perhaps person plot political possible present prose reality relation remains rendering represents respect satire scarcely scene Scott seems seen sense simply situation social society stand story successful symbol things true turned Victorian whole woman women writing written wrote young