English Composition and Rhetoric, Part 2

accent actual alliteration appear associations beauty called character charm circumstances close combination contrast death delight depends distinct effect emotion employed energy Epigram example expression eyes fact feeling figure force friendship further genius give given hand harmony head heart heaven highest human Humour idea ideal illustration imitation impression influence instance intensity interest kind language leading less light lines literary malignant means measure melody Milton mind modes moral nature never night objects once original pain parental pass passage passion Pathos personification picture pleasure poem poet poetic poetry present pure reference regard represented rhyming seen sense side sound stanza strength strong sublime success suggestion syllables sympathy tender thee things thou thought tion touches usual variety verse vowels whole