English Composition and Rhetoric, Part 2Longmans, Green & Company, 1892 - English language |
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Page viii
... nature , and involves a certain amount of speculative controversy , as well as practical interest . 4. WIT is sufficiently distinctive to need a separate handling ; while , owing to the extent and intimacy of its concurrence with the ...
... nature , and involves a certain amount of speculative controversy , as well as practical interest . 4. WIT is sufficiently distinctive to need a separate handling ; while , owing to the extent and intimacy of its concurrence with the ...
Page xiii
... and Rhetoric is but the arranging and methodizing of these reasons . Still more stringent are the limitations to the nature of the analyses that can with profit be sub- of mitted to pupils entering upon the work of criticism.
... and Rhetoric is but the arranging and methodizing of these reasons . Still more stringent are the limitations to the nature of the analyses that can with profit be sub- of mitted to pupils entering upon the work of criticism.
Page xviii
... the Nativity , and Lycidas ; Shakespeare's dramatic background of nature in harmony with his incidents ; the Greek poets ; Tennyson ; Gray , 30 30 31 33 34 35 TABLE OF CONTENTS . IDEALITY . xix PAGE 1. Meaning xviii TABLE OF CONTENTS .
... the Nativity , and Lycidas ; Shakespeare's dramatic background of nature in harmony with his incidents ; the Greek poets ; Tennyson ; Gray , 30 30 31 33 34 35 TABLE OF CONTENTS . IDEALITY . xix PAGE 1. Meaning xviii TABLE OF CONTENTS .
Page xix
... , ... 3. Choice of Characters very wide , but still conditional , SUBJECTS . In Art compositions , something depends on the SUBJECT . There are both aiding and impeding subjects , 22 52 PAGE NATURE AS A SUBJECT . Successive forms and ...
... , ... 3. Choice of Characters very wide , but still conditional , SUBJECTS . In Art compositions , something depends on the SUBJECT . There are both aiding and impeding subjects , 22 52 PAGE NATURE AS A SUBJECT . Successive forms and ...
Page xx
Alexander Bain. PAGE NATURE AS A SUBJECT . Successive forms and stages of Nature interest , . STRENGTH . Strength as nearly synonymous with Sublimity . into the manifestation of superior might . treatment , SUBJECTS OF STRENGTH . 1 ...
Alexander Bain. PAGE NATURE AS A SUBJECT . Successive forms and stages of Nature interest , . STRENGTH . Strength as nearly synonymous with Sublimity . into the manifestation of superior might . treatment , SUBJECTS OF STRENGTH . 1 ...
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Common terms and phrases
agreeable Anacreon artistic beauty Beneficent Strength character charm circumstances combination comparison contrast delight delineation depicted diction divine effect elevation embodiment energy epithets erotic Eurydice example exemplified expression eyes figure force friendship genius give grandeur harmony heaven highest Homer human hyperbolical Hyperion ideal Iliad illustrated impression intellectual intensity interest INTERESTING AND UNINTERESTING Julius Cæsar kind language lines literary lofty lovers Maleficent Strength Malevolence malignant mankind Matthew Arnold ment Milton mind modes moral mountain nature ness Neutral Strength objects ocean Ode to Duty pain Paradise Lost parental feeling passage passion Pathos Patroclus personification physical picture pleasure plot poem poet poet's poetic poetic diction poetry pure redeeming reference regard Sappho scene sexes Shakespeare stanza stars strain sublime superiority sweet sympathy Tamburlaine tender emotion Tender Feeling thee theme Theocritus things thou thought tion touches treatment vast vocabulary winds words Wordsworth