Cohesion and Dissent in America
Carol Colatrella, Joseph Alkana
SUNY Press, Jan 1, 1994 - Fiction - 252 pages
This book addresses one of the most important theories to arise in recent American literary scholarship. Developed over the past two decades, Sacvan Bercovitch's ideas about the relationship of American cultural institutions to voices of dissent have repeatedly posed challenges to pervasive assumptions about American culture and the methods used by cultural critics and literary historians. The contributors to this book respond to different aspects of Bercovitch's ideas by exploring a wide range of scholarly disciplines, including American, Chicano, Amerindian, African-American, Asian-American, feminist, comparatist, philosophical, legal, and critical studies. In addition to essays that focus on the theoretical backgrounds and implications of Bercovitch's concepts, this book interrogates the uses of those concepts in the study of American literatures. Works by a variety of American writers are analyzed: the Colonial poet Phillis Wheatly; nineteenth-century writers Hawthorne and Melville; modernists Pound and Eliot; contemporary authors John Barth, Norman Mailer, Arturo Islas, and John Yau; and philosophers William James and Stanley Cavell. This book offers new directions to students of American culture, while it participates in the ongoing reassessment of American cultural and literary scholarship.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Sacvan Bercovitch Stanley Cavell and the
T S Eliots American DissentDescent
The Hybridity of Culture in
Norman Mailer and the Radical Text
Other editions - View all
aesthetic ambiguity Ameri American culture American fiction American Jeremiad American literary American literature American studies Americanists artist Arturo Islas Barth Bercov calls Cambridge Cavell Chicago Chinese claims classic American cohesion consensus context criticism critique describes difference discourse dissent Emerson English errand essay existential experience Ezra Pound Floating Opera Foucault Hawthorne Hawthorne's Hester's idea ideal identity ideology individual interpretation Islas Islas's James Japanese poetry Jewish John John Gould Fletcher John Yau language Lowell Mailer means Melville Melville's Miguel Chico modern modernist myth narrative Nietzsche novel Pease Phillis Wheatley philosophy pluralism poem poetic poets political pragmatism Puritan Puritan Origins radical reader reading rhetoric ritual romance Sacvan Bercovitch Scarlet Letter schizophrenia sense social society speak story strategy suggests symbol T. E. Hulme T. S. Eliot theory tion Todd Tommo tradition truth ture Typee University Press verse Wheatley's words writing Yau's York