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finance; and, irate at the long acquiescence of the American Government in his imprisonment, he violently attacked Washington as a commander and as a statesman. In 1802 he returned to America, refusing to go by a ship placed at his service by President Jefferson. In America he was welcomed by his own party, but hooted by orthodox mobs and tabooed by society. He was embarrassed in finances, constantly embroiled in controversy theological and political, and seems to have taken to drinking-though doubtless the stories about his intemperance were greatly exaggerated. He died at New York 8th June 1809. In 1819 his bones were removed by Cobbett (q.v.) from New Rochelle to England; they were seized as part of the property of Cobbett's son, a bankrupt, in 1836; their whereabouts since 1844 is unknown.

Replies to Paine's theological views were much fiercer than those against his political doctrines— Gilbert Wakefield's and Bishop Watson's being famous. As an apologist for the American rebels, 'Tom' was hated by patriotic Englishmen; his Rights of Man was the text-book of all the extreme Radicals and sympathisers with the French Revolution another ground for hatred; and his deism was hateful to many who shared his Radicalism. He was sincere and courageous, but vain and bigoted; he held that his pen had done as much for the United States as Washington's sword; he thought his opponents knaves and fools; and his attacks on revelation are rather shrewd and bold than scholarly or profound. 'Paine's ignorance,' says Mr Leslie Stephen, 'was vast and his language brutal; but he had the gift of a true demagogue-the power of wielding a fine vigorous English.' The two following selections are from the Rights of Man.

Order due to Society, not to Government. Great part of that order which reigns among mankind is not the effect of government. It has its origin in the principles of society and the natural constitution of man. It existed prior to government, and would exist if the formality of government was abolished. The mutual dependence and reciprocal interest which man has upon man, and all the parts of a civilised community upon each other, create that great chain of connection which holds it together. The land-holder, the farmer, the manufacturer, the merchant, the tradesman, and every occupation prospers by the aid which each receives from the other and from the whole. Common interest regulates their concerns and forms their law; and the laws which common usage ordains have a greater influence than the laws of government. In fine, society performs for itself almost everything which is ascribed to government.

To understand the nature and quantity of government proper for man, it is necessary to attend to his character. As Nature created him for social life, she fitted him for the station she intended. In all cases she made his natural wants greater than his individual powers. No one man is capable, without the aid of society, of supply

ing his own wants; and those wants acting upon every individual, impel the whole of them into society, as naturally as gravitation acts to a center.

But she has gone further. She has not only forced man into society by a diversity of wants which the reciprocal aid of each other can supply, but she has implanted in him a system of social affections, which, though not necessary to his existence, are essential to his happiness. There is no period in life when this love for society ceases to act. It begins and ends with our being.

If we examine with attention into the composition and constitution of man, the diversity of his wants, and the diversity of talents in different men for reciprocally accommodating the wants of each other, his propensity to society, and consequently to preserve the advantages resulting from it, we shall easily discover that a great part of what is called government is mere imposition.

Government is no farther necessary than to supply the few cases to which society and civilization are not conveniently competent; and instances are not wanting to shew that everything which government can usefully add thereto has been performed by the common consent of society, without government.

For upwards of two years from the commencement of the American war, and to a longer period in several of the American States, there were no established forms of government. The old governments had been abolishe, and the country was too much occupied in defence to employ its attention in establishing new governments; yet during this interval order and harmony were preserved as inviolate as in any country in Europe. There is a natural aptness in man, and more so in society, because it embraces a greater variety of abilities and resource, to accommodate itself to whatever situation it is in. The instant formal government is abolished, society begins to act. A general association takes place, and common interest produces common security.

So far is it from being true, as has been pretended, that the abolition of any formal government is the dissolution of society, that it acts by a contrary impulse, and brings the latter the closer together. All that part of its organization which it had committed to its government devolves again upon itself, and acts through its medium. When men, as well from natural instinct as from reciprocal benefits, have habituated themselves to social and civilized life, there is always enough of its principles in practice to carry them through any changes they may find necessary or convenient to make in their government. In short, man is so naturally a creature of society that it is almost impossible to put him out of it.

Formal government makes but a small part of civilized life; and when even the best that human wisdom can devise is established, it is a thing more in name and idea than in fact. It is to the great and fundamental principles of society and civilization to the common usage universally consented to, and mutually and reciprocally maintained-to the unceasing circulation of interest, which, passing through its million channels, invigorates the whole mass of civilized man-it is to these things, infinitely more than to anything which even the best instituted government can perform, that the safety and prosperity of the individual and of the whole depends.

The more perfect civilization is, the less occasion has it for government, because the more does it regulate its own affairs and govern itself; but so contrary is the

practice of old governments to the reason of the case, that the expences of them increase in the proportion they ought to diminish. It is but few general laws that civilized life requires, and those of such common usefulness, that whether they are enforced by the forms of government or not, the effect will be nearly the same. If we consider what the principles are that first condense men into society, and what the motives that regulate their mutual intercourse afterwards, we shall find, by the time we arrive at what is called government, that nearly the whole of the business is performed by the natural operation of the parts upon each other.

The Landed Interest.

It is difficult to discover what is meant by the landed interest, if it does not mean a combination of aristocratical land-holders opposing their own pecuniary interest to that of the farmer and every branch of trade, commerce, and manufacture. In all other respects it is the only interest that needs no partial protection. It enjoys the general protection of the world. Every individual, high or low, is interested in the fruits of the earth; men, women, and children, of all ages and degrees, will turn out to assist the farmer, rather than a harvest should not be got in; and they will not act thus by any other property. It is the only one for which the common prayer of mankind is put up, and the only one that can never fail from the want of means. It is the interest, not of the policy, but of the existence of man, and when it ceases, he must cease to be. No other interest in a nation stands on the same united support. Commerce, manufactures, arts, sciences, and everything else, compared with this, are supported but in parts. Their prosperity or their decay has not the same universal influence. When the valleys laugh and sing, it is not the farmer only, but all creation that rejoices. It is a prosperity that excludes all envy; and this cannot be said of anything else.

The completest editions of Paine's works are those by Mendum (3 vols. Boston, 1850), and Mr Moncure D. Conway (4 vols. London, 1895-96); of his numerous biographies may be mentioned those by Francis Oldys' (i.e. George Chalmers, 1791), Cheetham (1809), Rickman (1814), Sherwin (1819), Vale (1841), Blanchard (1860), and especially that by Moncure D. Conway (2 vols. 1892). See also Leslie Stephen's History of English Thought in the Eighteenth Century (1880), and Alger's Englishmen in the French Revolution (1889).

George Colman 'the Elder' (1732-94), playwright and manager, was the son of the English envoy at Florence, was educated at Westminster and Oxford, and called to the Bar in 1755. His theatrical proclivities were much hampered by his mother's aristocratic connections, the Earl of Bath and General Pulteney; but in 1760 his first piece, Polly Honeycombe, was produced at Drury Lane with great success; next year came The Jealous Wife, and in 1766 The Clandestine Marriage, written in conjunction with Garrick. In 1767 he purchased, with three others, Covent Garden Theatre, and held the office of manager for seven years, when he sold his share. During his management he had quarrels with his partners, and with Garrick and Macklin; a pamphlet war and a succession of lawsuits followed. In 1776 he purchased the Haymarket Theatre from Foote. He wrote many minor comedies, produced

'acting' versions of plays by Shakespeare, Beaumont and Fletcher, Ben Jonson, Terence, of Milton's Comus, and of some French pieces. His own translation of Terence was received with enthusiasm, and SO was his translation, with notes, of Horace's De Arte Poetica. He wrote essays, edited Beaumont and Fletcher's works, and Ben Jonson's, and was author of some poems, criticisms, and other prose pieces (published in 3 vols. 1787). Many of his plays are not merely clever, but brilliant; and though a collection of his Dramatic Works was published in four volumes in 1777, many of his things have never been printed. Peake's Memoirs of the Colman Family (1841) and his own son's Random Recollections (1830) contain biographical materials; and Some Particulars of the Life of the Late George Colman (1795) is largely autobiographical. In 1785 he had a stroke of paralysis, and he died in confinement. His son, George Colman 'the Younger,' was perhaps even more famous on the same lines well into the next century.

Richard Cumberland (1732-1811), novelist and essayist, was the son of the Bishop of Clonfert and great-grandson of Dr Richard Cumberland (see page 47), and was born in the lodge of Trinity College, Cambridge. His mother was Joanna, daughter of Dr Bentley, erroneously said to be the Phoebe of Byrom's pastoral (see page 279); and he inherited not a little of his grandfather's combative temper. From Bury St Edmunds and Westminster, where he was contemporary with Cowper, Churchill, and Warren Hastings, he passed to Trinity College, Cambridge, and was a Fellow at twenty. Becoming private secretary to Lord Halifax, he gave up his intention of taking orders. Through the influence of his patron, he was made Crown-agent for the province of Nova Scotia; and he was afterwards appointed, by Lord George Germain, secretary to the Board of Trade. His popularity as a writer of plays introduced him to all the literary and distinguished society of his day. In 1780 he was employed on a secret mission to Spain, in order to endeavour to detach that country from the hostile confederacy against England; but after a twelvemonth at Madrid he was recalled, and payment of his drafts refused. A sum of £5000 was due to him; but as Cumberland had failed in the negotiation, and had exceeded his commission through excess of zeal, the Minister refused to reimburse him. The unfortunate dramatist-diplomatist was accordingly compelled to sell his paternal estate and retire into private life. He took up his abode at Tunbridge, and there poured forth farces, comedies, tragedies, pamphlets, essays, and poems, among them two epics, Calvary and The Exodiad, the latter written in conjunction with Sir James Bland Burgess. None of these was above mediocrity: the vivifying power of genius was shown only in two or three of his plays. In the Memoirs of his Own Life

Cumberland is graphic and entertaining, but too many of his anecdotes of contemporaries are imperfectly authenticated. His fame rests on two or three of his plays, which include The West Indian (1771)—his best, produced with much success by Garrick; The Brothers (1769); The Fashionable Lover (1772); The Jew; and The Wheel of Fortune. One would have thought that the unquestionable dramatic gift manifested in the best plays, his knowledge of life and manners at home and abroad, would have made Cumberland a notable novelist. But it was not so. His first novel, Arundel (1789), was hurriedly composed; but the scene being partly in college and at court, and dealing with high life, the author drew upon his recollections, and painted vigorously what he had felt and witnessed. His second work, Henry (1795), carefully elaborated in imitation of Fielding, was less happy; Cumberland was not at home in the humbler walks of life, and his portraits are grossly overcharged. The character of Ezekiel Dow, a Methodist preacher, was praised by Sir Walter Scott as exquisite and just. But the resemblance to Fielding's Parson Adams is too marked, and the Methodistic elements are less convincing than the learned simplicity and bonhomie of the worthy parson. And as Scott said: 'He had a peculiar taste in love-affairs, which induced him to reverse the natural and usual practice of courtship, and to throw upon the softer sex the task of wooing, which is more gracefully, as well as naturally, the province of the man.' In these wooing scenes there is inevitably a lack of delicacy; Scott, who ranked his comedies next to Sheridan's, thought his romances indecent. His third novel, John de Lancaster, was the inferior work of his advanced years. In the Retaliation Goldsmith somewhat hyperbolically praised him as

The Terence of England, the mender of hearts -surely one of the finest compliments ever paid by one author to another, were it not obviously satirical, though not perhaps unkindly meant. Actually Goldsmith does not seem to have been drawn to him, thought he had over-refined comedy, and set himself to succeed by avoiding his rival's defect; while Sheridan made the world laugh at him as 'Sir Fretful Plagiary.' The West Indian is a comedy of intrigue, and its scheme of honour and morals is by no means unexceptionable. The hero, arriving rich and libertine from Jamaica, falls in love with a beautiful girl, addresses her in the street, pursues her to her lodging, and importunes her to a dishonourable alliance. Some trouble ensues, but so soon as the hero has had an opportunity of explaining in a dignified manner that a disreputable landlady had hinted to him that the lady was not the sister but the mistress of the secondary hero, the mistake is at once seen to be natural and venial; the lady, her brother and father, and friends on both sides regard the principal hero's conduct on the whole as generous and

admirable in a high degree, and the insulted lady accepts, not merely without hesitation but with enthusiasm, his formal suit for her hand.

Mr Johnson and Tea-Drinking.

At the tea-table he made considerable demands upon his favourite beverage; and I remember when Sir Joshua Reynolds at my house reminded him that he had drunk eleven cups, he replied: 'Sir, I did not count your glasses of wine; why should you number up my cups of tea?' And then, laughing in perfect good humour, he added: Sir, I should have released the lady from any further trouble if it had not been for your remark; but you have reminded me that I want one of the dozen, and I must request Mrs Cumberland to round up my number.' When he saw the readiness and complacency with which my wife obeyed his call, he turned a kind and cheerful look on her, and said: 'Madam, I must tell you for your comfort you have escaped, much better than a certain lady did a while ago, upon whose patience I intruded greatly more than I have done on yours; but the lady asked me for no other purpose than to make a zany of me, and set me gabbling to a parcel of people I knew nothing of; so, madam, I had my revenge on her, for I swallowed five-and-twenty cups of her tea, and did not treat her with as many words.' (From the Memoirs.)

From The West Indian.' Mrs Fulmer. Why, how you sit, musing and moping, sighing and desponding! I'm ashamed of you, Mr Fulmer is this the country you described to me, a second Eldorado, rivers of gold and rocks of diamonds? You found me in a pretty snug retir'd way of life at Boulogne, out of the noise and bustle of the world, and wholly at my ease; you, indeed, was upon the wing, with a fiery persecution at your back: but, like a true son of Loyola, you had then a thousand ingenious devices to repair your fortune; and this your native country was to be the scene of your performances: fool that I was, to be inveigled into it by you: . . . for what have we got, whom have we gull'd but ourselves? which of all your trains has taken fire? even this poor expedient of your bookseller's shop seems abandoned; for if a chance customer drops in, who is there, pray. to help him to what he wants?

Fulmer. Patty, you know it is not upon slight grounds that I despair; there had us'd to be a livelihood to be pick'd up in this country, both for the honest and dishonest: I have tried each walk, and am likely to starve at last there is not a point to which the wit and faculty of man can turn, that I have not set mine to; but in vain, I am beat through every quarter of the compass.

Mrs Ful. Ah! common efforts all: strike me a masterstroke, Mr Fulmer, if you wish to make any figure in this country.

Ful. But where, how, and what? I have bluster'd for prerogative; I have bellowed for freedom; I have offer'd to serve my country; I have engaged to betray it-a master-stroke, truly; why, I have talked treason, writ treason, and if a man can't live by that he can live by nothing. Here I set up as a bookseller, why men left off reading; and if I was to turn butcher, I believe o' my conscience they'd leave off eating.

Mrs Ful. Why, there now 's your lodger, old Captain Dudley, as he calls himself; there's no flint without fire;

something might be struck out of him, if you'd the wit to find the way.

Ful. Hang him, an old dry skin'd curmudgeon; you may as well think to get truth out of a courtier, or candour out of a critic: I can make nothing of him; besides, he's poor, and therefore not for our purpose.

Mrs Ful. The more fool he! Wou'd any man be poor that had such a prodigy in his possession?

Ful. His daughter, you mean; she is, indeed, uncommonly beautiful.

Mrs Ful. Beautiful! Why, she need only be seen, to have the first men in the kingdom at her feet. Egad, I wish I had the leasing of her beauty; what would some of your young Nabobs give?

Ful. Hush here comes the captain; good girl, leave us to ourselves, and let me try what I can make of him. Mrs Ful. Captain, truly! i' faith I'd have a regiment, had I such a daughter, before I was three months older. [Exit as Captain DUDLEY enters.

Ful. Captain Dudley, good morning to you. Dudley. Mr Fulmer, I have borrowed a book from your shop; 'tis the sixth volume of my deceased friend Tristram he is a flattering writer to us poor soldiers; and the divine story of Le Fevre, which makes part of this book, in my opinion of it, does honour not to its author only, but to human nature.

Ful. He's an author I keep in the way of trade, but one I never relish'd: he is much too loose and profligate for my taste.

Dud. That's being too severe : I hold him to be a moralist in the noblest sense; he plays indeed with the fancy, and sometimes perhaps too wantonly; but while he thus designedly makes his main attack, he comes at once upon the heart; refines, amends it, softens it; beats down each selfish barrier from about it, and opens every sluice of pity and benevolence.

Ful. We of the catholic persuasion are not much bound to him.-Well, Sir, I shall not oppose your opinion; a favourite author is like a favourite mistress; and there you know, Captain, no man likes to have his taste arraigned.

Dud. Upon my word, Sir, I don't know what a man likes in that case; 'tis an experiment I never made. Ful. Sir !-Are you serious.

Dud. 'Tis of little consequence whether you think so. Ful. What a formal old prig it is! [aside]. I appre hend you, Sir; you speak with caution; you are married? Dud. I have been.

Ful. And this young lady, which accompanies youDud. Passes for my daughter.

Ful. Passes for his daughter! humph-[aside]. She is exceedingly beautiful, finely accomplished, of a most enchanting shape and air.

Dud. You are much too partial; she has the greatest defect a woman can have.

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'tis a wearisome time; 'tis an apprenticeship to a profession fit only for a patriarch. But preferment must be closely followed: you never could have been so far behind hand in the chace unless you had palpably mistaken your way. You'll pardon me, but I begin to perceive you have lived in the world, not with it.

Dud. It may be so; and you, perhaps, can give me better counsel. I'm now soliciting a favour; an exchange to a company on full pay; nothing more; and yet I meet a thousand bars to that; tho', without boasting, I should think the certificate of services which I sent in might have purchased that indulgence to me.

Ful. Who thinks or cares about 'em? Certificate of services, indeed! Send in a certificate of your fair daughter; carry her in your hand with you.

Dud. What! Who! My daughter! Carry my daughter! Well, and what then?

Ful. Why, then your fortune 's made, that's all. Dud. I understand you and this you call knowledge of the world? Despicable knowledge; but, sirrah, I will have you know-[threatening him].

Ful. Help! Who's within? Wou'd you strike me, Sir; wou'd you lift up your hand against a man in his own house?

Dud. In a church, if he dare insult the poverty of a man of honour.

Ful. Have a care what you do; remember there is such a thing in law as an assault and battery; ay, and such trifling forms as warrants and indictments.

Dud. Go, Sir; you are too mean for my resentment : 'tis that, and not the law, protects you. Hence !

Ful. An old, absurd, incorrigible blockhead! I'll be reveng'd of him [aside].

See his Memoirs (2 vols. 1807), and George Paston's Little Memoirs of the Eighteenth Century (1901). His plays are in Mrs Inchbald's British Theatre.

Richard Brinsley Sheridan, dramatist and political orator, was the most brilliant of a gifted family representing an old native Irish clan in County Cavan. His great-grandson, Lord Dufferin, reckoned that in two hundred and fifty years the family had produced twenty-seven authors and upwards of two hundred books; and the author of Letters from High Latitudes was fully entitled to include himself and his gifted mother, the author of The Lament of the Irish Emigrant. Thomas Sheridan, D.C.L. and Jacobite historical writer, suffered for the cause of James II., and was father of the Chevalier Sheridan, Prince Charlie's tutor and comrade in arms; Thomas's nephew, another Thomas, D.D. and friend of Swift, was a schoolmaster in Dublin, and translator. His son, a third Thomas (1719-88), became a teacher of elocution in Dublin and author of a Life of Swift, but was first an actor and playwright, and at this stage of his career married the poetess Frances Chamberlaine, who as Mrs Frances Sheridan to be a notable novelist and (1724-66) was dramatist; her works comprise three unimportant comedies and two novels-The Memoirs of Miss Sidney Biddulph (1761), which was praised by Johnson, approved by the public, and translated into French by the Abbé Prevost; and The

History of Nourjahad, an Oriental tale adapted for the stage by Sophia Lee (see page 653). The son of this couple was the brilliant dramatist, who also attained his ambition of becoming a statesman.

Richard Brinsley Sheridan was born in Dublin on the 30th of October 1751, and was educated partly in Dublin and then at Harrow; his parents had settled in London, and Richard never revisited his old home. After leaving school, he and a schoolfriend named Halhed wrote a three-act farce called Jupiter, and

he tried a verse translation of the Epistles of Aristanetus. In 1771 the Sheridans removed to Bath, where they made acquaintance with the family of Linley the composer, and, after a romantic courtship, Richard married Elizabeth Linley in 1773. The young couple settled in London to a life much beyond their means, and Sheridan now made more serious efforts at dramatic composition. In 1775 The Rivals was produced at Covent Garden, and, though at first it failed, was after some revision universally recognised as a great and admirable comedy.

1780 Sheridan was elected for Stafford, and in 1782 became Under-Secretary for Foreign Affairs under Rockingham; he was afterwards Secretary to the Treasury in the Coalition Ministry (1783). His parliamentary reputation dates from his great speeches in the impeachment of Warren Hastings (1787-94). In 1794 he again electrified the House by a magnificent oration in reply to Lord Mornington's denunciation of the French Revolution; but he urged unconditional resistance to Bonaparte,

RICHARD BRINSLEY SHERIDAN.

In the same year
appeared the poor
farce called St
Patrick's Day, and also The Duenna, which had a
run of over seventy nights in the first season. In
1776 Sheridan, with the aid of Linley and another
friend, bought half the patent of Drury Lane
Theatre for £35,000 from Garrick, and in 1778 the
remaining share for £45,000, the money being
largely raised on mortgage. His first production
was the Rivals, his second a purified edition of
Vanbrugh's Relapse, under the title of A Trip to
Scarborough. Three months later appeared his
greatest work, The School for Scandal, which, if
somewhat lacking in cohesion, presents a series of
extraordinarily brilliant scenes and a succession
of wonderfully witty dialogues. The Critic (1779),
teeming with sparkling wit, was Sheridan's last
dramatic effort, with the exception of a poor
tragedy, Pizarro, much altered from the German
of Kotzebue. On the dissolution of Parliament in

From the Crayon Portrait by John Russell, R.A., in the National Portrait
Gallery.

and sympathised with the Spaniards and others who rose against French tyranny. He remained till the end the devoted friend and adherent of Fox, and was also the defender and spokesman of the Prince Regent. On Fox's death (1806) he was disappointed in his hope of being made leader of the Whigs, but under the Ministry of all the Talents' he was made treasurer to the navy. In 1807 he was defeated at Westminster, and though he found a seat for Ilchester, his parliamentary

career came to an
end in 1812. In
1792 his first wife
died, and three
years
later he
married a daughter
of the Dean of
Winchester, who

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survived him. The affairs of the theatre had gone badly. The old building had to be closed as unfit to hold large audiences, and a new one, opened in 1794, was burned in 1809. This last calamity put the finishing touch to Sheridan's pecuniary difficulties, which had long been serious. He died 7th July 1816; but Mr Fraser Rae has proved that the story is not true that at the end he suffered severe privation or was in want of ordinary comforts. His funeral in Westminster Abbey was exceptionally magnificent.

His inconsiderate and happy-go-lucky ways led all his life long to greatly exaggerated or unfounded stories about his convivial excesses and other extravagances. But it was always acknowledged that as a politician he was incorrupt in a corrupt age, independent, and intrepid. He eagerly opposed the war with America and the

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