they should want nothing of that part of the entertainment), was very merry, and in great admiration of the ship, for he had never been in one before; so that he was curious of beholding every place where he decently might descend. The rest, no less curious, who were not quite overcome with drinking, rambled at their pleasure fore and aft, as their fancies guided 'em : so that the captain, who had well laid his design before, gave the word, and seiz'd on all his guests; they clapping great irons suddenly on the prince, when he was leap'd down into the hold, to view that part of the vessel; and locking him fast down, secur'd him. The same treachery was us'd to all the rest; and all in one instant, in several places of the ship, were lash'd fast in irons, and betray'd to slavery. That great design over, they set all hands at work to hoist sail; and with as treacherous as fair a wind they made from the shore with this innocent and glorious prize, who thought of nothing less than such an entertainment. Some have commended this act, as brave in the captain; but I will spare my sense of it, and leave it to my reader to judge as he pleases. It may be easily guess'd in what manner the prince resented this indignity, who may be best resembled to a lion taken in a toil; so he raged, so he struggled for liberty, but all in vain: and they had so wisely managed his fetters, that he could not use a hand in his defence, to quit himself of a life that would by no means endure slavery; nor could he move from the place where he was ty'd, to any solid part of the ship, against which he might have beat his head, and have finish'd his disgrace that way. So that being deprived of all other means, he resolv'd to perish for want of food; and pleas'd at last with that thought, and toil'd and tir'd by rage and indignation, he laid himself down and sullenly resolv'd upon dying, and refused all things that were brought him. This did not a little vex the captain, and the more so because he found almost all of 'em of the same humour; so that the loss of so many brave slaves, so tall and goodly to behold, would have been very considerable: he therefore order'd one to go from him (for he would not be seen himself) to Oroonoko, and to assure him he was afflicted for having rashly done so unhospitable a deed, and which could not be now remedied, since they were far from shore; but since he resented it in so high a nature, he assur'd him he would revoke his resolution, and set both him and his friends ashore on the next land they should touch at; and of this the messenger gave him his oath, provided he would resolve to live. And Oroonoko, whose honour was such, as he never had violated a word in his life himself, much less a solemn asseveration, believ'd in an instant what this man said; but reply'd he expected for a confirmation of this to have his shameful fetters dismiss'd. This demand was carried to the captain, who return'd him answer that the offence had been so great which he had put upon the prince, that he durst not trust him with liberty while he remain'd in the ship, for fear lest by a valour natural to him, and a revenge that would animate that valour, he might commit some outrage fatal to himself and the king his master, to whom the vessel did belong. To this Oroonoko reply'd, he would engage his honour to behave himself in all friendly order and manner, and obey the command of the captain, as he was lord of the king's vessel, and general of those men under his command. This was deliver'd to the still doubting captain, who could not resolve to trust a heathen, he said, upon his parole, a man that had no sense or notion of the god that he worshipp'd. Oroonoko then reply'd, he was very sorry to hear that the captain pretended to the knowledge and worship of any gods, who had taught him no better principles than not to credit as he would be credited, but they told him the difference of their faith occasion'd that distrust for the captain had protested to him upon the word of a Christian, and sworn in the name of a great God; which if he should violate, he must expect eternal torments in the world to come. Is that all the obliga tions he has to be just to his oath? (reply'd Oroonoko.) Let him know, I swear by my honour; which to violate would not only render me contemptible and despised by all brave and honest men, and so give my self perpetual pain, but it would be eternally offending and displeasing all mankind; harming, betraying, circumventing, and outraging all men. But punishments hereafter are suffer'd by one's self; and the world takes no cognizance whether this God has reveng'd 'em or not, 'tis done so secretly, and deferr'd so long; while the man of no honour suffers every moment the scorn and contempt of the honester world, and dies every day ignominiously in his fame, which is more valuable than life. I speak not this to move belief, but to shew you how you mistake when you imagine that he who will violate his honour will keep his word with his gods.' So, turning from him with a disdainful smile, he refused to answer him, when he urged him to know what answer he should carry back to his captain; so that he departed without saying any more. The captain pondering and consulting what to do, it was concluded that nothing but Oroonoko's liberty would encourage any of the rest to eat, except the Frenchman, whom the captain could not pretend to keep prisoner, but only told him he was secur'd because he might act something in favour of the prince; but that he should be freed as soon as they came to land. So that they concluded it wholly necessary to free the prince from his irons, that he might shew himself to the rest, that they might have an eye upon him, and that they could not fear a single man. This being resolved, to make the obligation the greater, the captain himself went to Oroonoko, where, after many compliments and assurances of what he had already promis'd, he, receiving from the prince his parole and his hand for his good behaviour, dismiss'd his irons, and brought him to his own cabin, where, after having treated and repos'd him a while (for he had neither eat nor slept in four days before), he besought him to visit those obstinate people in chains, who refused all manner of sustenance; and intreated him to oblige 'em to eat, and assure 'em of their liberty the first opportunity. Oroonoko, who was too generous not to give credit to his words, shew'd himself to his people, who were transported with excess of joy at the sight of their darling prince; falling at his feet, and kissing and embracing 'em; believing, as some divine oracle, all he assur'd 'em. But he besought 'em to bear their chains with that bravery that became those whom he had seen act so nobly in arms; and that they could not give him greater proofs of their love and friendship, since 'twas all the security the captain (his friend) could have against the revenge, he said, they might possibly justly take for the injuries sustained by him. And they all with one accord assur'd him that they could not suffer enough, when it was for his repose and safety. After this they no longer refused to eat, but took what was brought 'em, and were pleased with their captivity, since by it they hoped to redeem the prince, who all the rest of the voyage was treated with all the respect due to his birth, tho' nothing could divert his melancholy; and he would often sigh for Imoinda, and think this a punishment due to his misfortune in having left that noble maid behind him that fatal night in the Otan, when he fled to the camp. Possess'd with a thousand thoughts of past joys with this fair young person, and a thousand griefs for her eternal loss, he endur'd a tedious voyage, and at last arrived at the mouth of the river of Surinam, a colony belonging to the king of England, and where they were to deliver some part of their slaves. There the merchants and gentlemen of the country going on board, to demand those lots of slaves they had already agreed on, and, amongst those, the overseers of those plantations where I then chanc'd to be, the captain, who had given the word, order'd his men to bring up those noble slaves in fetters, whom I have spoken of; and having put 'em some in one and some in other lots, with women and children (which they call Pickaninies), they sold 'em off as slaves to several merchants and gentlemen; not putting any two in one lot, because they would separate 'em far from each other; nor daring to trust 'em together, lest rage and courage should put 'em upon contriving some great action, to the ruin of the colony. Oroonoko was first seiz'd on, and sold to our overseer, who had the first lot, with seventeen more of all sorts and sizes, but not one of quality with him. When he saw this, he found what they meant; for, as I said, he understood English pretty well; and being wholly unarm'd and defenceless, so as it was in vain to make any resistance, he only beheld the captain with a look all fierce and disdainful, upbraiding him with eyes that forc'd blushes on his guilty cheeks, and cry'd in passing over the side of the ship: 'Farewel, Sir, 'tis worth my sufferings to gain so true a knowledge, both of you and of your gods, by whom you swear.' And desiring those that held him to forbear their pains, and telling 'em he would make no resistance, he cry'd, 'Come, my fellow-slaves, let us descend, and see if we can meet with more honour and honesty in the next world we shall touch upon.' So he nimbly leapt into the boat, and shewing no more concern, suffer'd himself to be row'd up the river, with his seventeen companions. The gentleman that bought him was a young Cornish gentleman, whose name was Trefry; a man of great wit and fine learning, and was carried into those parts by the lord -, Governor, to manage all his affairs. He reflecting on the last words of Oroonoko to the captain, and beholding the richness of his vest, no sooner came into the boat but he fix'd his eyes on him; and finding something so extraordinary in his face, his shape and mien, a greatness of look, and haughtiness in his air, and finding he spoke English, had a great mind to be enquiring into his quality and fortune; which, though Oroonoko endeavour'd to hide, by only confessing he was above the rank of common slaves, Trefry soon found he was yet something greater than he confess'd; and from that moment began to conceive so vast an esteem for him, that he ever after lov'd him as his dearest brother, and shew'd him all the civilities due to so great a man. Part of the continuation of Oroonoko's story is given at page 63 below in Southerne's dramatised rendering. Elkanah Settle (1648-1724), born at Dunstable, went from Oxford University to London to make a living by his pen, and at eighteen (in 1665) made a hit by his tragedy of Cambyses (printed 1671). To annoy Dryden, Rochester got his high-flown Empress of Morocco played at Whitehall by the court lords and ladies (1671). In Absalom and Achitophel Dryden, enraged and jealous, scourged 'Doeg' with his scorn; and Settle replied, not very effectively, in Absalom Senior, or Achitophel Transpros'd, and Reflections on Some of Mr Dryden's Plays. Love and Revenge, The Conquest of China, Ibrahim or the Illustrious Bassa, and Fatal Love were acted before 1680. For a time petted by the court, he had lost favour and took the Whig side, writing in this cause not merely The Female Prelate, a play on Pope Joan, but a series of pamphlets in Shaftesbury's interest and against the succession of the Duke of York. But in 1683 he was writing down Oates, ridiculing the Popish Plot, denouncing Lord William Russell and Algernon Sidney, and making a Panegyrick of Judge Jeffreys, and (in 1685) issuing a Heroic Poem in honour of James II.'s coronation. Appointed City poet in 1691, in the following years he brought out a series of City pageants. He compiled lives of two impostors and cheats, a pamphlet on the cruelties of the Dutch towards the English in the East Indies, and a Pindarick' ode on the propagation of the gospel in foreign parts. The Ladies' Triumph was the last of some eight plays produced between 1694 and 1718; but long ere this their author was writing comicalities for Bartholomew Fair, acting in a booth there, and producing (for a livelihood) elegies and complimentary poems. In 1718 he was admitted to the Charterhouse. Thomas Otway (1652-85), born twelve years after Wycherley, was one of Dryden's younger contemporaries who succeeded where the master had failed; his plays brilliant achievements associated with a melancholy history - sound the tones of deepest tragedy with singular power. Born the son of a clergyman at Trotton near Midhurst in Sussex, Otway proceeded from Winchester College to Christ Church, Oxford, but left in 1672 without taking his degree. The same year he made his appearance as an actor on the London stage. It was an absolute breakdown, but here he doubtless acquired a knowledge of dramatic art which stood him in good stead when he began to write for the theatre. He produced three tragedies, a farce, and a comedy —Alcibiades (1675), Don Carlos (1676; based on the same French romance by St Réal as Schiller's), Titus and Berenice (from Racine; 1677), The Cheats of Scapin (adapted from Molière; 1677), and Friendship in Fashion (1678)—which were successfully performed; but Otway was always in poverty, mainly owing to drink and other kinds of dissipation. Betterton, Mrs Barry, and Mrs Brace girdle were amongst the actors who helped to secure popularity for his plays; it was a lifelong heart-break to the dramatist that Mrs Barry flouted his almost abject devotion to her. The Earl of Plymouth procured him an ensignship in a foot regiment, and the poet went for a year or two to Flanders. He was soon cashiered for his irregularities; and returning to England, he resumed writing for the stage. In 1680 he produced The Orphan and Caius Marius, tragedies; in 1681, The Soldier's Fortune, a comedy full of autobiographical detail; and in 1682, Venice Preserved. The Atheist (1684), a continuation of The Soldier's Fortune, was his last play; and Otway's short but eventful life came to a premature end after twenty years of want and extravagance. One biographer says the THOMAS OTWAY. From an Engraving after a Portrait by Beal. cause of his death was his hastily swallowing, after long fasting, a piece of bread which charity had supplied. Another story makes him die of fever brought on by fatigue or by drinking water when violently heated. Whatever was the last of his misfortunes, he was at the time in great poverty, and apparently skulking from creditors at a publichouse on Tower Hill. The fame of Otway now rests on his two tragedies, The Orphan and Venice Preserved; but on these it rests as on the pillars of Hercules. Scott said his talents in scenes of passionate affection 'rival at least and sometimes excel those of Shakespeare more tears have been shed, probably, for the sorrows of Belvidera and Monimia than for those of Juliet and Desdemona.' This is excessive praise. The inherent indelicacy and unpleasant associations of the plot have driven The Orphan from the theatres; but Venice Preserved was played at Drury Lane so recently as 1829. The stern, plotting character of Pierre is well contrasted with the irresolute, sensitive, and affectionate nature of Jaffier; and the harsh, unnatural cruelty of Priuli serves as a dark shade to set off the bright purity and tenderness of his daughter. Belvidera is Otway's creation, a creation of high dramatic genius. The dramatist's genius shines in his delineation of the passions of the heart, the ardour of love, and the excess of misery and despair. His humour is clumsy and gross, and his comedy is very poor, though the farce is funny and rollicking. There is in Otway little of the rant or bombast Dryden too often admitted. He was partly influenced by French models; there is something classical in the simplicity and skill he shows in the working of his plots, and in his concentration of interest on a few figures or groups of figures; of development of character there is little or none. The versification is sometimes rugged and irregular, and there are plenteous redundancies and inflated expressions, due largely to haste and carelessness. Venice Preserved, which Mr Gosse, like most critics, has praised as 'simply the greatest tragic drama between Shakespeare and Shelley,' excited keen interest in French, Dutch, German, Russian, and Italian versions. The following extract is the opening of the play; the shorter detached extracts which follow it are all from The Orphan: From Venice Preserved.' Priuli. No more! I'll hear no more; begone and leave me. Jaffier. Not hear me! by my suffering but you shall! My lord, my lord! I'm not that abject wretch You think me. Patience! where 's the distance throws In right, though proud oppression will not hear me? Fri. You may remember, scarce five years are past, Pri. You stole her from me; like a thief you stole her, At dead of night; that cursed hour you chose To rifle me of all my heart held dear. May all your joys in her prove false, like mine! Your days and nights bitter and grievous still : Jaf. Half of your curse you have bestowed in vain. Jaf. Would I were in my grave! Pri. And she, too, with thee; Jaf. You use me thus, because you know my soul My life feeds on her, therefore thus you treat me. But I might send her back to you with contumely, Jaf. Out of my little fortune I have done this; Not as the heiress of the great Priuli. Pri. No more. Reduce the glittering trappings of thy wife Then to some suburb cottage both retire; Jaf. Yes, if my heart would let me This proud, this swelling heart: home I would go, [BELVIDERA enters. Belvidera. Lead me, lead me my virgins To that kind voice. My lord, my love, my refuge ! Happy my eyes when they behold thy face; My heavy heart will leave its doleful beating At sight of thee, and bound with sprightful joys. Oh smile as when our loves were in their spring, And cheer my fainting soul! As when our loves Jaf. Kind, good, and tender, as my arms first found thee? Jaf. Can there in woman be such glorious faith? Oh woman, lovely woman! Nature made thee Bel. If love be treasure, we 'll be wondrous rich : Oh lead me to some desert, wide and wild, Barren as our misfortunes, where my soul Jaf. O Belvidera! doubly I'm a beggar: Want, worldly want, that hungry meagre fiend, Is at my heels, and chases me in view. Canst thou bear cold and hunger? Can these limbs, Endure the bitter gripes of smarting poverty? (As suddenly we shall be) to seek out In some far climate where our names are strangers And the bleak winds shall whistle round our heads; Bel. Oh I will love thee, even in madness love thee: Though my distracted senses should forsake me, Then praise our God, and watch thee till the morning. Jaf. Hear this, you Heavens, and wonder how you made her! Reign, reign, ye monarchs that divide the world; They wait but for a storm, and then devour you: I in my private bark already wrecked, Parting. Where am I? Sure I wander midst enchantment, A Witch. Through a close lane as I pursued my journey, So there was nothing of a piece about her. I asked her of my way, which she informed me; A Splenetic View of Woman. But quickly woman longed to go astray; Morning. Wished Morning's come; and now upon the plains A Boar Hunt. When you, Castalio, and your brother left me, |