Tradition and Dream: The English and American Novel from the Twenties to Our Time |
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Page 100
... never lose and never forget . We walked along a road in Cumber- land , and stooped , because the sky hung down so low ; and when we ran away from London , we went by little rivers in a land just big enough . And nowhere that we went was ...
... never lose and never forget . We walked along a road in Cumber- land , and stooped , because the sky hung down so low ; and when we ran away from London , we went by little rivers in a land just big enough . And nowhere that we went was ...
Page 126
... never allow anybody to be personal ' . Yet , ruled by forms though he is , Major Buchan is not merely a formal man ; or , if he is , then the forms themselves have bred in him a generosity of spirit and conduct which makes it ...
... never allow anybody to be personal ' . Yet , ruled by forms though he is , Major Buchan is not merely a formal man ; or , if he is , then the forms themselves have bred in him a generosity of spirit and conduct which makes it ...
Page 294
... never quite succeeds in becoming a novel . The gallery of the title is the Galleria Umberto in Naples : ยท In August , 1944 , everyone in Naples sooner or later found his way into this place and became like a picture on the wall of a ...
... never quite succeeds in becoming a novel . The gallery of the title is the Galleria Umberto in Naples : ยท In August , 1944 , everyone in Naples sooner or later found his way into this place and became like a picture on the wall of a ...
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action Afternoon Men American fiction American Novel appeared Appointment in Samarra attitude become behaviour called central character centre comedy comic Communist Compson consciousness contemporary criticism D. H. Lawrence death described Dreiser E. M. Forster Eliot Ellen Glasgow England English novel Eustace existence experience expression eyes fantasy father Faulkner feels Gatsby George Eliot girl Henry hero homosexual human imagination innocence Joyce Lawrence Lewis literary lives London Lonigan look means mind Miss Lonelyhearts moral narrator nature Negro never night novelist passage perhaps political Powys's prose realizes relation rendered romantic satire scarcely scene seems seen sense social society story Studs Studs Lonigan style Sutpen symbol theme things thirties tion Tradition and Dream tragic Ulysses Virginia Virginia Woolf whole wife Willa Cather Winesburg women Women in Love Woolf words writing written Wyndham Lewis young