Tradition and Dream: The English and American Novel from the Twenties to Our Time |
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Page 27
... scene in the final chapter of The Rainbow , in which Ursula encounters the horses on the com- mon . Have the horses an objective existence ? Are they projections of her unconscious ? The passage cannot be reduced to any one prose ...
... scene in the final chapter of The Rainbow , in which Ursula encounters the horses on the com- mon . Have the horses an objective existence ? Are they projections of her unconscious ? The passage cannot be reduced to any one prose ...
Page 216
... scene . They give Living a unity beyond its formal structure , and it is on the juxta- position of homing pigeons with a small baby ' which laughed and crowed and grabbed at it ' , that the novel ends . The style accurately matches the ...
... scene . They give Living a unity beyond its formal structure , and it is on the juxta- position of homing pigeons with a small baby ' which laughed and crowed and grabbed at it ' , that the novel ends . The style accurately matches the ...
Page 218
... scenes which illuminate magically , the scene , for example , of the two young house- maids waltzing in the deserted ballroom among the dustcloth - shrouded furniture : They were wheeling wheeling in each other's arms heedless at the ...
... scenes which illuminate magically , the scene , for example , of the two young house- maids waltzing in the deserted ballroom among the dustcloth - shrouded furniture : They were wheeling wheeling in each other's arms heedless at the ...
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action Afternoon Men American fiction American Novel appeared Appointment in Samarra attitude become behaviour called central character centre comedy comic Communist Compson consciousness contemporary criticism D. H. Lawrence death described Dreiser E. M. Forster Eliot Ellen Glasgow England English novel Eustace existence experience expression eyes fantasy father Faulkner feels Gatsby George Eliot girl Henry hero homosexual human imagination innocence Joyce Lawrence Lewis literary lives London Lonigan look means mind Miss Lonelyhearts moral narrator nature Negro never night novelist passage perhaps political Powys's prose realizes relation rendered romantic satire scarcely scene seems seen sense social society story Studs Studs Lonigan style Sutpen symbol theme things thirties tion Tradition and Dream tragic Ulysses Virginia Virginia Woolf whole wife Willa Cather Winesburg women Women in Love Woolf words writing written Wyndham Lewis young