Science-fiction Studies, Issues 21-24SFS Publications., 1980 - Science fiction |
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Page 279
... Ideology , through the institutions that Louis Althusser calls Ideological State Apparatuses ( ISAs ) , distorts reality and attempts to appropriate culture to nature , and the culture and communications apparatus are instrumental in ...
... Ideology , through the institutions that Louis Althusser calls Ideological State Apparatuses ( ISAs ) , distorts reality and attempts to appropriate culture to nature , and the culture and communications apparatus are instrumental in ...
Page 302
... ideological hegemony . In the films under discussion , causation , science , authority , and ideology come forward to displace the notion of the film narrative as hermetic and isolated from material reality . The Thing introduces a ...
... ideological hegemony . In the films under discussion , causation , science , authority , and ideology come forward to displace the notion of the film narrative as hermetic and isolated from material reality . The Thing introduces a ...
Page 93
... ideological theory and ideographic criticism must complement mythological structuralism . Otherwise , consciousness , the domain of value , meaning , and history , does not get its due in contrast with the unconscious . 18 In this sense ...
... ideological theory and ideographic criticism must complement mythological structuralism . Otherwise , consciousness , the domain of value , meaning , and history , does not get its due in contrast with the unconscious . 18 In this sense ...
Contents
H G Wells and the Fictional | 124 |
Samuel R Delany Reflections on Historical Models of Modern | 135 |
Alessandro Portelli The Three Laws of Robotics | 150 |
Copyright | |
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Alien American appear Asimov bande dessinée Battlestar Galactica become Berkeley bibliography Bleiler CALIFORNIA LIBRARY chapter characters concept contemporary creatures critical cultural darkness Darko Suvin Dick discussion dream Earth edition editor English essay evolution fact fantasy Foundation series Frankenstein French future genre German Guin Guin's Heinlein horror human ideological imagination interest Jules Verne Ketterer kind literary literature London machines Martians Mary Shelley means metaphor monster Moreau myth narrative nature Nostromo occult Paris Perry Rhodan philosophy planet plot political popular Prendick problem production published Québec reader reality robot romance Science Fiction scientific scientific romances seems sense sexual SF film SF novel SF writers social society space Stanislaw Lem Star Trek Star Wars story structure suggests symbolic Taoist theme theory tion tradition translation UNIVERSITY OF CALIFORNIA Ursula Le Guin utopian Verne Wells's