Frameworks: Narrative Levels and Embedded NarrativeThe structural device of the «story within a story», variously labeled «frame», «Chinese box», «Russian doll», or «embedded» narrative, is so widely found in the literature of all cultures and periods as to approach universality. Despite its durable attraction for writers and audiences throughout history, however, embedded narrative remains a form largely unmapped by literary theory. This study surveys and synthesizes the work done to date on this significant artistic technique and breaks new ground by providing a comprehensive model for the description and analysis of the many types and functions of embedded narrative. |
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Page 66
... fiction , or diegesis , to the general narratee ( an extraheterodiegetic audience itself not represented in the fiction ) the fictional work that includes the prefatory materials as part of the story . The publisher becomes an ...
... fiction , or diegesis , to the general narratee ( an extraheterodiegetic audience itself not represented in the fiction ) the fictional work that includes the prefatory materials as part of the story . The publisher becomes an ...
Page 100
... fiction , plurielle . ( Qu'est - ce que 53 ) The easiest relation to observe is that of order : the order of narrating time ( the order of discourse ) can never be perfectly parallel to the order of time narrated ( of fiction ) ; there ...
... fiction , plurielle . ( Qu'est - ce que 53 ) The easiest relation to observe is that of order : the order of narrating time ( the order of discourse ) can never be perfectly parallel to the order of time narrated ( of fiction ) ; there ...
Page 117
... fiction and non - fiction ( or , as Genette has proposed , " fiction and diction " ) . An autobiography , for ex- ample , can easily be read as if narrated and its historical author may be distinguished from its implied author and ...
... fiction and non - fiction ( or , as Genette has proposed , " fiction and diction " ) . An autobiography , for ex- ample , can easily be read as if narrated and its historical author may be distinguished from its implied author and ...
Contents
Introduction | 1 |
Historical and Implied Authors and Readers | 9 |
The General Narrator | 45 |
Copyright | |
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Common terms and phrases
actions agent analysis appears apply approach argued audience Bal's become Booth chapter characters Chatman clear complete concept consider convention course create critics define definition diegesis direct discourse discussion distinction editor effect elements embedded narrative entirely evidence example existence extradiegetic fact fiction focalization follow frame function further Genette Genette's given historical author historical reader implied author implied reader important inferred intentions interest internal interpretation John least less letters limit literary logical meaning narrative levels narratology narrator narrator's never noted Nouveau novel objective observation offered perhaps Poetics position possible precisely presented problem produced proposed question reasons récit refer relation remarks response role seems sense separate shift single speaks story structure suggested telling theoretical theory tion tive writer written