Kiss Me Deadly: Feminism and Cinema for the MomentLaleen Jayamanne These essays break with many of the givens of traditional feminist film theory and examine the work of directors outside the canon, including Kathryn Bigelow, Jane Campion, Rainer Werner Fassbinder, and Martin Scorsese. Kiss Me Deadly offers a refreshing emphasis on new theoretical perspectives as well as new interpretations of old ones. |
Contents
Introduction | 1 |
Patricia Mellencamp | 18 |
CHAPTER 2 | 77 |
CHAPTER 3 | 91 |
CHAPTER 4 | 126 |
Rainer Werner Fassbinders The Marriage | 147 |
CHAPTER 6 | 180 |
CHAPTER 7 | 221 |
CHAPTER 8 | 252 |
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Aboriginal action aesthetic Alex Alexander Kluge allegory artist Australian authorship ballet baroque becomes Bigelow body camera characters cinema close-up concepts criticism critique cultural dancing death Deleuze and Guattari Deleuze's desire essay everyday experience fascination Fassbinder Female Patriot feminine Feminism feminist film theory femme fatale figure film's filmic filmmaker Freud function Gabi Teichert gender genre German gesture Gilles Deleuze gloves hero Hollywood Ibid Interview involuntary memory Jayamanne Lauretis linked male Maria Braun Marriage of Maria masculine melodrama metaphor Milena mimetic mode Moffatt montage movement movie narrative notion object obsession painting play Raging Bull Raul Ruiz reading Red Shoes relation Roeg Roeg's romantic Ruiz's sailor says scene Scorsese sense sensory-motor sequence sexual shot space spectator spectatorship story sublime Surrealism Sydney temporal Teresa de Lauretis Thelma and Louise tion Tracey Moffatt tradition trans University Press Walter Benjamin woman women writes