The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 74
From all sides they come , an incessant shower of innumerable atoms ; and as
they fall , as they shape themselves into the life of Monday or Tuesday , the
accent falls differently from of old ; the moment of importance came not here but
there ...
From all sides they come , an incessant shower of innumerable atoms ; and as
they fall , as they shape themselves into the life of Monday or Tuesday , the
accent falls differently from of old ; the moment of importance came not here but
there ...
Page 261
thing as belongs to a house , an ' I've told her her duty often enough , though ,
God knows , I've no breath to spare , an ' that catchin ' pain comes on dreadful by
times . Wỉ them three gells in the house I'd need have twice the strength to keep ...
thing as belongs to a house , an ' I've told her her duty often enough , though ,
God knows , I've no breath to spare , an ' that catchin ' pain comes on dreadful by
times . Wỉ them three gells in the house I'd need have twice the strength to keep ...
Page 359
The presence of Overton was probably essential to Butler's purpose , for he was
writing a novel with a thesis ; one way and another , all Butler's conclusions about
life and right living come into the book ; it cannot therefore be judged as we ...
The presence of Overton was probably essential to Butler's purpose , for he was
writing a novel with a thesis ; one way and another , all Butler's conclusions about
life and right living come into the book ; it cannot therefore be judged as we ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things tion true turned Victorian whole woman women writing written wrote young