The English Novel: A Short Critical History |
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Page 110
for herself in fashionable society, perverting her native Irish good humor and
simplicity into a comic parody of English aristocratic manners and behavior; a
figure of fun to the ladies who flock to her balls and routs; a source of endless
expense ...
for herself in fashionable society, perverting her native Irish good humor and
simplicity into a comic parody of English aristocratic manners and behavior; a
figure of fun to the ladies who flock to her balls and routs; a source of endless
expense ...
Page 271
Casaubon is a terrifying figure of haunted futility. George Eliot's comprehension
of him and pity for him are such that he exists on the grand scale. He too—and
we are made almost against our will to feel this—has within him “a certain
spiritual ...
Casaubon is a terrifying figure of haunted futility. George Eliot's comprehension
of him and pity for him are such that he exists on the grand scale. He too—and
we are made almost against our will to feel this—has within him “a certain
spiritual ...
Page 408
Reconciliation is possible, and it comes about through the figure of Mrs. Moore,
the old English lady on whom India has such a strange effect and who becomes,
after she leaves India to die on the voyage home, almost a local goddess. She is
...
Reconciliation is possible, and it comes about through the figure of Mrs. Moore,
the old English lady on whom India has such a strange effect and who becomes,
after she leaves India to die on the voyage home, almost a local goddess. She is
...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person play plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 9 Feb 2009 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |