The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 110
for herself in fashionable society, perverting her native Irish good humor and
simplicity into a comic parody of English aristocratic manners and behavior; a
figure of fun to the ladies who flock to her balls and routs; a source of endless
expense ...
for herself in fashionable society, perverting her native Irish good humor and
simplicity into a comic parody of English aristocratic manners and behavior; a
figure of fun to the ladies who flock to her balls and routs; a source of endless
expense ...
Page 271
Casaubon is a terrifying figure of haunted futility. George Eliot's comprehension
of him and pity for him are such that he exists on the grand scale. He too—and
we are made almost against our will to feel this—has within him “a certain
spiritual ...
Casaubon is a terrifying figure of haunted futility. George Eliot's comprehension
of him and pity for him are such that he exists on the grand scale. He too—and
we are made almost against our will to feel this—has within him “a certain
spiritual ...
Page 408
Reconciliation is possible , and it comes about through the figure of Mrs. Moore ,
the old English lady on whom India has such a strange effect and who becomes ,
after she leaves India to die on the voyage home , almost a local goddess .
Reconciliation is possible , and it comes about through the figure of Mrs. Moore ,
the old English lady on whom India has such a strange effect and who becomes ,
after she leaves India to die on the voyage home , almost a local goddess .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
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