The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xx
... imagination as he has put it down on paper , and we mean further that this realm , fictitious though it is , is yet some- how a self - contained entity consistent in itself and con- forming to the psychological laws which govern its ...
... imagination as he has put it down on paper , and we mean further that this realm , fictitious though it is , is yet some- how a self - contained entity consistent in itself and con- forming to the psychological laws which govern its ...
Page 174
... imagination was , it was always applied to the world outside it , and it was always moved by certain abstract ideas , the ideas of greatness and nobility , kingship , ancient families , and youth . The young men who composed the Young ...
... imagination was , it was always applied to the world outside it , and it was always moved by certain abstract ideas , the ideas of greatness and nobility , kingship , ancient families , and youth . The young men who composed the Young ...
Page 197
... imagination , and so long as he remains within the comic and satiric or the mel- odramatic he forces us to share the hallucination . His defects are many and yet scarcely matter . He was a great original . He owed something , in his ...
... imagination , and so long as he remains within the comic and satiric or the mel- odramatic he forces us to share the hallucination . His defects are many and yet scarcely matter . He was a great original . He owed something , in his ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young