The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 235
... kind of personal tact . " But Trollope's affinity with Jane Austen goes beyond this . His discriminations are much less fine and subtle than hers , but when allowance is made for this , he judges his characters in a similar way , and ...
... kind of personal tact . " But Trollope's affinity with Jane Austen goes beyond this . His discriminations are much less fine and subtle than hers , but when allowance is made for this , he judges his characters in a similar way , and ...
Page 285
... kind of corps de ballet to the ac- tion , that gives The Egoist its permanently fascinating subtlety . Wit and poetry exist side by side , and each irradiates the other . It is this combination that gives Meredith his spe- cial place in ...
... kind of corps de ballet to the ac- tion , that gives The Egoist its permanently fascinating subtlety . Wit and poetry exist side by side , and each irradiates the other . It is this combination that gives Meredith his spe- cial place in ...
Page 381
... kind of power and a new kind of man and the breed- ing places of a new kind of misery . For Bennett , the Pot- teries were neither new nor frightening ; they were the perfectly familiar : home . Bennett's scene , as he realized himself ...
... kind of power and a new kind of man and the breed- ing places of a new kind of misery . For Bennett , the Pot- teries were neither new nor frightening ; they were the perfectly familiar : home . Bennett's scene , as he realized himself ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young