The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 25
Defoe stands to these in the relation of a prosaic Leonardo. Without benefit of a
university, he was a man of wide learning, speaking half a dozen languages and
reading seven. His interests and activities were many; he was in turn shopkeeper
...
Defoe stands to these in the relation of a prosaic Leonardo. Without benefit of a
university, he was a man of wide learning, speaking half a dozen languages and
reading seven. His interests and activities were many; he was in turn shopkeeper
...
Page 108
And she did more than this: she perceived the relation between the local
habitation and the people who dwell in it. She invented, in other words, the
regional novel, in which the very nature of the novelist's characters is conditioned
, receives its ...
And she did more than this: she perceived the relation between the local
habitation and the people who dwell in it. She invented, in other words, the
regional novel, in which the very nature of the novelist's characters is conditioned
, receives its ...
Page 180
without the sense of an audience in intimate relation with him he was less than
himself. His public readings have been deplored, but they indicate the intensity of
his craving for what was almost a symbiotic relation with his public. It was one of ...
without the sense of an audience in intimate relation with him he was less than
himself. His public readings have been deplored, but they indicate the intensity of
his craving for what was almost a symbiotic relation with his public. It was one of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things tion true turned Victorian whole woman women writing written wrote young