The English Novel: A Short Critical History |
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Page xxi
The notion of the novel as a literary form having something to do with art in the
sense of being consciously made and shaped to an aesthetic end is quite new.
Though there have been few more consummate artists in the novel than Fielding
...
The notion of the novel as a literary form having something to do with art in the
sense of being consciously made and shaped to an aesthetic end is quite new.
Though there have been few more consummate artists in the novel than Fielding
...
Page 154
The later novelists, however, were writing in some sense against their age; they
were critical, even hostile, to its dominant assumptions. Their relation to the
reading public was nearer to that of the twentieth-century novelist than to the
early ...
The later novelists, however, were writing in some sense against their age; they
were critical, even hostile, to its dominant assumptions. Their relation to the
reading public was nearer to that of the twentieth-century novelist than to the
early ...
Page 418
On what principle is the selection of thoughts, sense impressions, and
associations that must stand for the whole flow of mental activity, to be made? It is
impossible, with Pilgrimage, to speak of structure or form at all. There is selection,
but it is ...
On what principle is the selection of thoughts, sense impressions, and
associations that must stand for the whole flow of mental activity, to be made? It is
impossible, with Pilgrimage, to speak of structure or form at all. There is selection,
but it is ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person play plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 9 Feb 2009 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |